Monthly Archives: October 2015

Ithaca, NY – A Waterfalls and Fall Foliage Workshop

Some of the group on a rainy first day. (Image courtesy John Redin)

Some of the group on a rainy first day. (Image courtesy John Redin)

Just concluded an incredible workshop in the Finger Lakes region of NY State. October 8th through Columbus Day October 12th, 21 photographers and two spouses hiked through the gorges of some of the most beautiful parks in New York.  The first night we attempted some Milky Way and light painting photography in the upper lot of Taughannouck Falls Sate Park. The following day, we had an early start to Buttermilk Falls.  Buttermilk Falls is the largest of the 10 falls of Buttermilk Creek.  Larger versions of these may be viewed by clicking on the image.


Buttermilk Falls

Buttermilk Falls

Following Buttermilk Falls we drove to Ithaca Falls but access was restricted as there was construction on the access way to the river bed. Next option – into Robert Treman Park aka Enfield Glen.  Though it rained all morning the water helped saturate the color and the clouds helped defuse the light.

Here are some images from Enfield Glen:


The entrance to the gorge



The Bridge



The Upper Cascades of Lucifer Falls



The Lower Cascades of Lucifer Falls

Later in the afternoon we went back to Ithaca Falls, a 150ft cascading fall at the end of Fall Creek before the creek empties into Cayuga Lake.  Ithaca Falls is 175 wide and considered the region’s most powerful.

I had left my ND filter in the car so Nancy Marshal was kind enough to let me borrow her Big Stopper that I hand-held against the lens to get the following image:


Ithaca Falls


Posted in Night Photography, Panning, Photographs, Photography, Workshops

Death by Selfie

Check out the latest episode of TWiP where Frederick Van Johnson, Martin Bailey and I have a great discussion:

TWIP 433

Posted in Photography

Adobe joins the ranks of Microsoft with a truly botched release


Library Module – Import (who’s idea was this?)

In my opinion and the simplest of terms ADOBE has really messed up this time. CC was a bad move and now LR6.2. How does a company let this product get to their users. No beta testing it appears. No prerelease user acceptance – what a fiasco.

I am glad I never subscribed to CC and now have to downgrade/roll back LR6.2. Time to rethink my workflow. May be go 100% to Capture One Pro.

The library module in 6.2 is really – cartoonish and so many decent features have just been eliminated. I shudder to think what I might unearth with the Develop and other modules.

Microsoft botched up Windows 8 and now they are in good company with Adobe and LR 6.2.

In my opinion Adobe should make the CC subscription $0.00 till they can make the product worth paying for again.

Adobe profits dropped as per their earning report this week. CC was not such a good idea and now this …………….  I wonder what the next quarter will look like.

Posted in Software

Review of the Hähnel Captur Module Pro, Captur Module – IR and the Captur Receiver

Hähnel Captur Module Pro remote trigger with sound, light, laser and IR triggering.


Hähnel of Ireland has replaced the wonderful Giga T pro with Captur Module Pro.  Capture is high-speed trigger system that will provide remote triggering, intervalometer functions, delay triggering, long exposure and will will also work as an ordinary flash trigger.

Some of the more interesting features are sound, light, laser and infrared sensors for high-speed or wildlife photography. What is even better is that  the system has an auxiliary port.  This allows you to use any third part triggering devices to be connected to the Captur Module Pro  that in turn will trigger your camera.

The basic kit comes as a set of two devices. A hand held control unit and a IR transmitter.  You will need an optional wireless unit to control your camera wirelessly.  The controller is a 2.4GHz transmitter with a range of 320 feet. It will work with either shoe-mount flashes or studio lights as there is a hot-shoe and a sync port. There are models for Nikon, Canon, Sony and Olympus/Panasonic. Best of all the modules all use AA batteries.


  • Captures Time Lapse Photography, High Speed Photography, Motion & Wildlife Photography
  • Four built-in sensors (light, sound, Laser & IR). The package indicates five built-in sensors however there are four sensors (three windows) and an auxiliary port that can accommodate an infinite variety of sensors and triggers.
  • Auxiliary port allows to connect 3rd party sensors such as pressure plates, humidity & temperature sensors
  • Fully programmable timed sequences including delay, interval timer, exposure count & exposure length setting
  • Shutter release button with autofocus, single & continuous shooting & bulb mode
  • Connect wirelessly to camera using the Captur Receiver (sold separately)


The Captur Module Pro and the IR Transmitter are encased in rubber shield that covers the unit with the exception of the display and control face.  Each has a 1/4 20 thread that lets you mount the units on a tripod, light stand or clamp.  The IR Transmitter mounts inverted to protect it from the elements. The Capture Receiver is not rubber encased.


Module Pro:  The face of the unit has the display window, three buttons – Lock, Trigger and Start/Stop.  Blow these is the four way rocker and a center “set” button.  The left side has the cameras cable release port and the auxiliary port. The top has the microphone, IR sensor and Light sensor. The right  side has a micro USB port that can be used to power the device, and the on/off switch.  Note the micro USB port is covered by the rubber enclosure.  The underside of the unit has the 1/4 20 mount and the battery compartment also accessible by removing the upper enclosure.


The Module IR has a high/low switch on the front face and the 1/4 20 mount.  The IR bean is emitter from the top of the unit.he On/Off switch is located on the left side and the batter compartment is in the bottom also covered by the rubber enclosure.


The Capture Receiver has a flash hot shoe on the face a test button and an indicator light that flashes green when the unit is ready and turns red when the unit is activated. The left side has the remote trigger cabe port while the right has the On/Off switch. The bottom of the unit has a combination hotshot mount and a 1/4 20 mount. Also on the bottom is the battery compartment. Note: this unit does not have a rubber enclosure.

Using the units:

The handheld remote controller can be connected to your camera with a remote cable or wireless is used with the wireless receiver unit.  The controller will allow you to configure various shooting scenarios that require precise delays and also works as an intervalometer for time-lapse photography. Unlike the Giga T Pro, Captur Module Pro will work as a conventional flash trigger in addition to the remote triggering functionality when paired with a Captur unit.

The control unit has settings for Hours, Minutes and Seconds (HH:MM:SS) and a mode delay of 00:01 through 10:00 seconds (duration in 1/100th second).  A 4 way rocker for modes and a central push button for setting the parameters. Buttons for triggering, start/stop and lock. There are four configurable options:

  • Delay – lets you set an interval between the time the trigger is fired and the shutter is activated.
  • Long – allows you to set a long exposure duration – the camera must be set to bulb mode.  It is also possible to do long exposures without programming.  This is achieved by depressing the release button for 3 seconds and the bulb function will lock and you can release the button. Depress the button once more to end the bulb exposure (long exposure).
  • Interval 1 – is configured to set the interval between shots and then N1 sets the number of shots to take.
  • Interval 2 configures the time between interval (Interval 1) activation sand N2 configures the number of times the Interval 1 and N1 sequence is repeated.

Using the Captur Module pro is easy if you are familiar with the Gia T Pro system. There is an online manual that is reasonable week detailed for those who have not used a Giga system or are new to Remote triggers and intervalometers.

Configuring for various modes:

All modes have some common options: sensitivity, amount of delay before the unit will trigger the shutter, the duration of shutter open when the camera is in bulb mode and the number of allowed activations. To enable a mode all you need to do is to press the Start/Stop button to start the process. A ready LED turns green and when the mode is triggered the LED turns Red as a verification.

To set the mode, use the rocker switch to get to the sensor mode you want. The modes are in the following order:

Sound mode– adjust the sensitivity of the sensor as needed.

Infrared (IR) mode, (you need to use the Module – IR).  Set the Module – IR and the Module – Pro so they are aligned with the IR beam lens in line-of-sight with the receiver window of the Module Pro. When the IR beam is interrupted the unit will be triggered.  The Module IR has High/Low setting.  Use the low setting for a beam length of 4.5 feet or less and the High for lengths greater than 4.5 feet.

Light Mode – here the sensor is activated when there is a change in light level – bright to dark, dark to bright. Ideal for fireworks, lightning, or indoors with any light being turned on or off.

Laser – this mode requires a laser beam to be pointed at the receiver window and works the same way as the IR beam but with a much greater distance between transmitter and receiver.

AUX – this mode requires you to connect any triggering device to the Captur Module Pro via a 1/8” Tip-shield plug.


The Captur Pro Module is $120, Two receiver modules are $45 each; A pair of flash triggers not reviewed are $100 and the Capture Timer Module also not reviewed is $60.


In my opinion the Captur system is probably the most versatile triggering system I have used and as it uses AA batteries it will last through extremely long time-lapse sequences without having to worry about a premature shutdown. The construction is solid as is the performance. In all of the tests performed the unit did not miss-fire.

Posted in Accessories, Lighting, Motion, News, Photography, Product Reviews, Time-Lapse, Tips