Monthly Archives: September 2019

A Red Sunset

The Palouse at Sunset

This was the sunset image from the same evening as the last few posts. After some great light we had an intense rain storm and then the skies started opening up just before the sun set. All the photographers left the butte except one other PSA member and myself. This image was the reward for sticking it out.

Captured with the Panasonic Lumix S1R and the Lumix Pro S 70-200 mm, f/4 lens at 70 mm. Exposure triad: f/11, 1/125 sec at ISO 800.

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Tending Fields in The Palouse – the incredible S1R

Before leaving the Palouse, I would really like to venture inside one of the giant combine harvesters that the farmers use. The are specially designed machines that traverse the steep inclines and slopes of the Palouse without tipping over. The cab is fully climate controlled and has computers that monitor and measure things like quantity of the grain being harvested, the moisture content and many other indices.

This is an image captured on Sept 20, 2019, in the late afternoon before the storm. I used the Lumix S1R with the Lumix Pro S 70-200 mm lens. I have cropped a slight amount on the top of the frame to remove a distraction. The performance of the S1R is exceptional. This was a normal (not a high resolution) capture. A severe crop of the frame just to get the farmhouse is shown in the image below. (Please do click on the images for a larger rendition).

Exposure triad: f/11, 1/15 sec, ISO 200. Focal length 200mm.

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Storm Clouds Over Palouse

Storm Clouds Over Palouse

I arrived in Spokane, WA for the PSA Board Meetings and the Conference. It was a long flight from Boston to Spokane but I was not going to pass up the opportunity to take a ride to the wheat fields of the Palouse. The weather did not look good but then bad weather can make for some great images.

Most of the afternoon the fields had barely any light and when there was some it was flat. As the afternoon progressed there were occasional openings in the dark cloud that were letting some light come through. The was a large expanse of rain clouds that were dumping rain while the sun shone through on either side casting some warm light on the harvested wheat stalks.

This image was captured in high resolution using the Panasonic Lumix S1R and the Lumix S Pro 70-200 f/4 lens. Exposure triad: f/11, 1/25 sec, ISO 200. Lens at 70mm. The 1440 x 934 pixel image is about 8% of the original file.

Please click on the image for a larger rendition.

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Cool and Warm

Cool and Warm

When the sun was setting this past weekend (Sept 7, 2019) the moon was about 60% and quite high over the horizon. As the light from the sun was all but gone, the moon shining on the water created this cool/warm juxtaposition in harmony with these old pilings.

The breaking waves in the foreground appear to be trying to blend the warm and cold together. Also, notice the split in the color temperature how the light significantly affected the shadows of the pilings on the right vs. the ones on the left.

These situations remind me of George Eastman’s quote:

“Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.”

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A deep dive into the Lumix S1R Camera

Lumix S1R Full Frame Camera – “it’s the best!!!!!!”

In this episode, TWiP host Frederick van Johnson and I discuss the Lumix S1R full-frame mirrorless camera. Amongst the topics of discussion are the features of this new system, the growing lens line-up, and the assertion that Lumix is not abandoning the micro four-thirds sensor size format.

Click on the logo or CLICK HERE to watch the episode

Learn more about the Lumix S1R: Panasonic USA Website

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Minimalism – Sunset

Rocks at Sunset

The weekend provided great opportunity to explore the Cape Cod shoreline. There are some amazing manmade jetties that present opportunities for minimalist images.

I first shot this composition wide with lots of negative space but realized that with the rocks so small in the frame the beautiful texture was getting lost. So I composed tighter to show much more detail while the image still remained minimal. The setting sun cast some lovely light in the rocks and created a glow in the sand. Although the slow shutter speed remove the detail from the sand, I like the way the color creates a leading line to the rock formation.

The image was captured with the Panasonic Lumix S1R and the Lumix 24-105 f/4 L-Mount lens. A Benro circular polarizer was used to reduce reflections and a Benro 10 stop ND filter was used to slow the shutter down.

Exposure triad: f/8, 60 sec, ISO 100

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A not so slow shutter speed – Rocky Coast of Acadia

Waves on Rocks
(please click on the image for a larger rendition)

Slow shutter speed images are interesting and many are minimalist. But by the same token the use of slow shutter speeds seems to have become overly popular. Here in this early morning capture I wanted to slow the shutter down to get the action but at the same time show the motion of the waves as they crashed on the Acadia coastline. The warm glow and blue waters created a harmonious conflict.

The image is a blend of two splashes where both were exposed exactly the same. I used the Panasonic Lumix S1R with the Lumix Pro 70-200 mm f/4 lens at 70mm, and the Benro 100 mm filter system. The filters were a polarizer to remove the glare from the rocks and a 6 stop ND. Exposure triad: f/6.3, 0.4 sec, ISO 200. Image processed using Capture One 12 and Photoshop CC for image blending.

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