LUMIX S PRO 50mm F1.4, LUMIX S PRO 70-200mm F4 O.I.S. and LUMIX S 24-105mm F4 MACRO O.I.S. Details and prices released

Price $2,297.99
Price $1,697.99
Price $1,297.99

The following is the official press release

Newark, NJ (February 1, 2019) – Panasonic is proud to introduce three new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Specially focusing on professional use, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses.

LUMIX S PRO 50mm F1.4 (S-X50)A large-aperture fixed focal length lens that forms the core of the LUMIX S Series of lensesLUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)A telephoto zoom lens that features high resolution with stunning clarity across the entire zoom rangeLUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)A versatile standard zoom lens with macro shot capability covering wide-angle to medium telephoto

The L-Mount is a lens mount for mirrorless cameras that was launched by Leica and is equally suitable for both the APS-C format and full-frame cameras. Leica Camera, Panasonic and Sigma are set to offer a user-friendly solution that will allow photographers to ‘mix and match’ any of the three manufacturers’ APS-C and full-frame cameras with any lens from each other’s product portfolios. The aim of the L-Mount Alliance is to provide customers with a diverse and future-proof range of products. The advantages are a large inner diameter of 51.6 mm that enables the realization of extremely fast lenses and extremely compact dimensions. The configuration of the lens-to-camera communication interface is future-proof and the L-Mount also offers an option for the construction of sealed systems that are insensitive to dust and moisture. The L-Mount thereby opens up an almost limitless spectrum of new creative possibilities.

All interchangeable lenses of the LUMIX S Series provide high performance yet the “LUMIX S PRO” lenses further boast ultimate optical performance to be certified by LEICA for clearing stringent LEICA standards. Panasonic is committed to designing and developing 10 or more lenses with a focus on “LUMIX S PRO” lenses by 2020 and further expanding the S Series lens lineup.

LUMIX S PRO 50mm F1.4 (S-X50)

The LUMIX S PRO 50mm F1.4 is a large-aperture fixed focal length LUMIX S PRO lens that is the core of all LUMIX S Series lenses. Ensuring versatile use with its 50mm focal length and F1.4 high speed, the LUMIX S PRO 50mm F1.4 boasts stunningly high resolution and a descriptive performance from the center to the corners of the image despite its large aperture. It provides smooth defocus gradation from the focus peak to the neighboring area of the image. It also describes the point light sources in the background as impressive, beautiful bokeh. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.

Comprising 13 lenses in 11 groups, the use of 2 aspherical lenses and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with those aspherical lenses, achieving high resolving performance.

A double focus system combining a linear motor and stepping motor achieves sensor drive at a maximum speed of 480 fps. It realizes fast, high-precision AF to ensure that you will never miss a photo opportunity. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 50mm F1.4 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant* design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with an 11-blade circular aperture diaphragm.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)

The second lens is also a LUMIX S PRO lens. The LUMIX S PRO 70-200mm F4 O.I.S. telephoto zoom lens provides high-resolution, high-contrast images across the entire zoom range. It can be used for wide-ranging situations, from portraits to sports. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with the LUMIX S PRO 70-200mm F4 O.I.S. for the first time as a lens of a full-frame mirrorless camera system, to ensure that you will never miss a photo opportunity. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.

The lens unit comprises 23 lenses in 17 groups and the use of an aspherical lens and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Designed in pursuit of optimum lens alignment, it achieves beautiful bokeh with minimum vignetting.

The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 70-200mm F4 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.

*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when LUMIX S1R is used.

*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)

The LUMIX S 24-105mm F4 MACRO O.I.S. is a versatile standard zoom lens covering wide-angle to medium-telephoto. It assures high descriptive performance across the entire zoom range. In addition to its versatile use with a wide and long zoom range, the LUMIX S 24-105mm F4 MACRO O.I.S. enables 0.5x macro shooting with a minimum focusing distance of 0.3m. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with LUMIX S 24-105mm F4 MACRO O.I.S. for the first time as a lens of full-frame mirrorless camera system, never to miss the photo opportunity.

The lens unit comprises 16 lenses in 13 groups and the use of 2 aspherical lenses and 2 ED (Extra-low Dispersion) lenses effectively suppresses chromatic aberration and achieves high resolution. 

The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The LUMIX S 24-105mm F4 MACRO O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. In addition, a fluorine coating on the front element repel water and oil and prevent them from attaching. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.

*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when LUMIX S1R is used.

*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

•Leica is a registered trademark of Leica Microsystems IR GmbH.

•Design and specifications are subject to change without notice.

Posted in Photography

Panasonic Lumix S Series Full Frame Cameras – Specs and Pricing Announced

The S1R body is priced at $3,697.99 and the Kit that includes the 24-105mm Lens is $4,597.99
The S1 body is priced at $2,497.99 and the Kit that includes the 24-105mm Lens is $3,397.99

The following is the official press release

Newark, NJ (February 1, 2019) – After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.

The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p), intuitive control, a rugged design for heavy field use, durability, and expandability.

 The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting. 

The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.

Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.

Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.

As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers. 

*1 PAL area only

*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.

*4 Service is not available in some countries.

  1. High picture quality made possible by the first LUMIX full-frame mirrorless camera

Unprecedented picture quality and high descriptive performance LUMIX S1R

The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.

* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

High image quality, high sensitivity performance LUMIX S1

The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations. 

An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.

Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers. 

The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.

*4 “HSP” is an HDR picture format using HLG format video technology.

*5 The guide number decreases when the shutter speed is set to 1/320 of a second. 

*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

2. High-speed, high-precision AF system LUMIX S1R LUMIX S1

Panasonic has achieved a high-speed AF with its advanced control technology over the major devices – lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects – humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera. 

For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.

*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.

*2 At ISO100, F1.4, AFS 

*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1

The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.

The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

To make the camera just like a part of the photographer’s body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.

* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1

To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.

The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.

A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2), Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras. 

*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

5Outstanding video recording performance in a full-frame camera

4K 60p video recording for more creative freedom LUMIX S1R

The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording. 

Exceptional video recording performance for professional videographers LUMIX S1

The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019. 

As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps). 

For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable. 

*1 PAL area only.

*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.

*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.

– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).

6. Other Features LUMIX S1R LUMIX S1

Photo Style Featuring a New Flat Mode

To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.

Variable Aspect Ratios With New 65:24 and 2:1

In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting. 

I.S. Status Scope

The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.

Flicker Decrease

When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.

*Not available in 6K PHOTO, 4K PHOTO and Post Focus.

Highlight Weighted Light Metering Mode

The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.

New AWBw Auto White Balance Mode

In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light. 

Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n) 

Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.

*1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only. 

*2 5 GHz Wi-Fi is not available in some countries.

Lumix Tether

This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.

Lumix Sync

Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.

•Leica is a registered trademark of Leica Microsystems IR GmbH.

•L-Mount is a trademark or registered trademark of Leica Camera AG.

•Android and Google Play are trademarks or registered trademarks of Google Inc. 

• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.

•XQD is a trademark of Sony Corporation.

•All other company and product names are trademarks of their respective corporations.

•Some accessories are not available in some countries. 

•The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.

•Design and specifications are subject to change without notice.

Posted in Photography Tagged , , , , , , , |

MINWR Field Workshop

January 25, 2019 – 7:00 AM field trip to Merrit Island National WIldlife Refuge, Black Point Drive yielded some decent images once the clouds dissipated and we got some good light. The day prior was a washout because of the storm that came through the area – high winds, heavy rains and reports of tornados.

Reddish Egret fishing – Panasonic Lumix G9 with the Leica 100-400 mm lens. Exposure triad: f/6.3, 1/800 sec, ISO 500

This year the number of Glossy Ibis in the reserve is exceptional. I have never seen so many flocks of 20 Ibis or more.

Glossy Ibis stepping into the water – Panasonic Lumix G9 with the Leica 100-400 mm lens. Exposure triad: f/6.3, 1/1000 sec, ISO 640

On the other hand, the Roseate Spoonbills are not as abundant as in past years.

Roseate Spoonbill with a Great Egret keeping a watchful eye – Panasonic Lumix G9 with the Leica 100-400 mm lens. Exposure triad: f/7.1, 1/1300 sec, ISO 200
Posted in 7D, Photography Tagged , , , , , , , , , , , , , , , , |

Lumix G9 Hi-Res Mode – Canyonlands, UT

Canyonlands, UT. Panasonic Lumix G9 with the Leica 50-200 mm lens at 50mm (100mm equivalent). Exposure triad: f/8, 1/1000 sec, ISO 200

Despite windy conditions, I wanted to test the Hi-Res Mode of the Lumix G9 in a lighting situation where there would be a minimum shadow definition. I found this location and vantage point and returned at near high noon. The clouds were interesting but as they were not interfering with the light falling on this monolith, I set up and captured this image.

The original RAW file before any crop was 10368 px by 7776 px and approx 138 MB. One for one pixel (native resolution) at 260 DPI this image will print 40 inches wide. The image was processed in Capture One and I cropped down from the top for a better composition. The reduced resolution is a 1400px by 922px file.

No sharpening or lens correction has been applied, nor has any chromatic correction been done.

To determine the detail and quality of the image I have done an extreme crop as shown in the image below.

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Alaska – Bears of Katmai and more Photography Workshop

July 1 to July 7, 2019

Coastal Grizzly Bears and Walrus will be our primary subjects but we may also see Wolf, Lynx, Moose, Beaver, Caribou, Dall sheep, Seals, Fox, Sea Otters, Tundra Swan, Puffins, and Bald Eagles. This is the best location on Planet Earth to observe and photograph the giant coastal grizzlies (brown bears). In this perfect wilderness, you will watch bears fishing for salmon, digging for clams, eating sedge grasses or grazing on blueberries on the alpine tundra. Visit one of the world’s only photographable walrus pods on a remote Baring Sea beach.

The lodge provides a true wilderness experience.  Iliamna and Redoubt are two active volcanoes in Lake Clark National Park. Iliamna has not erupted recently but is frequently seen steaming from its summit fumaroles. Redoubt erupted in the spring of 2009.   Both these volcanoes provide an excellent backdrop for coastal brown bear photography.  

We will have the opportunity to photograph the coastal brown bears, boars, and sows (many with cubs) in their natural environment but at close up ranges.  At times 70 mm can be too much.  This location does not have the typical viewing platforms and limited viewing areas.  You will photograph from the ground as well as low trailers pulled by ATVs.

CLICK HERE FOR DETAILS

Posted in Photography

Tanzania – Tarangire, Ngorongoro and the Mara Photography Safari


August 14 to 23, 2017

A lion at sunset.

The annual migration in Tanzania is a once in a lifetime experience. This photo adventure is planned to give you the opportunity to photograph the world’s largest concentration of elephants per square mile in Tarangire National Park; descend into Ngorongoro crater with a population of over 25,000 animals including the big 5 and travel the northern plains of the Serengeti. We will visit the Mara and Sand Rivers to witness and photograph the annual wildebeest migration. We will also have the opportunity to be among and photograph the Maasai going about their daily routines. Game drives will take advantage of the awesome light of the dry season. If we are lucky we will see the endangered black rhino.

For this photo safari we will stay in camps and lodges that are inside the parks and reserves allowing us to view game in the early hours without the need to travel miles to get into the park. Our vehicles will give each photographer a single row allowing an unobstructed view from either side of the vehicle.

CLICK HERE FOR DETAILS

wildebeast

 

 

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Light of Cape Cod – Photo Workshop Spring 2019

Super Moon - Cape Cod Sand Dunes

Super Moon – Cape Cod Sand Dunes

Announcing the Light of Cape Cod

A 4-day, 3-night photography workshop – Eastham, MA – May 24 to 27, 2019

Mid Spring in Cape Cod is a multi-faceted photo opportunity with truly spectacular scenics and some wildlife. The tourists have not crowded the roads and traffic is not a nightmare. This very special workshop is for all levels of photographers from beginner to advanced. The Cape provides some of the most incredible landscapes and seascapes and the light during spring is exceptional. We will explore and photograph the Cape’s classic seashore, sand dunes, lighthouses, and some wildlife. We will determine schedules and locations based on weather forecasts, tides and sunrise/sunset times. We may even explore the opportunity to do some night photography.

Anchor and Ropes

Anchor and Ropes

The workshop will begin with a meet and greet and an orientation briefing.  We will then venture out to capture a sunset. A post-dinner short classroom session devoted to teaching exposure theory, composition and field techniques will be conducted. Each day we will explore various landscapes whether intimate ones or those on a grand scale, photographing sand patterns, marsh grasses, and fishing scenes.

Our days will be based on a very flexible schedule allowing us to respond to the opportunities based on weather and light conditions so you can have the best photo experiences each day. 

CLICK HERE FOR DETAILS AND REGISTRATION

 

A few comments from past participants:

I learned a lot about digital photography from this hands-on, highly flexible workshop, and met a great network of people with a shared interest in becoming better photographers.

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The Cape Cod Light workshop was such an incredible learning experience. The sites selected to photograph the sunsets were just beautiful. The entire group was so much fun and great to photograph with. I would like to thank Shiv and Monica for a fun-filled weekend and am looking forward to my next workshop with them. Gail Shiv is a great instructor and a great time was had by all.

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It was a wonderful experience to be around the two of you. We learned so much. Both technically as well as rushing up our concepts. We also really value the personal touch. Thank you.

This workshop exceeded my expectations. It was chock full of practical information, and hands on shoots. It has elevated my photography to another level and given me the confidence and understanding to use a variety of settings on my camera but most importantly-the manual camera mode. My shooting will no longer be random, but previsualized, and deliberate. Shiv is an extraordinary instructor and makes sure you understand the concepts and feel comfortable applying them. He makes himself readily available to assist you in the process. This is the second workshop I have taken with him and hope to find the time to take many more. (Thanks so much for everything this weekend, it was fantastic, Ellen)

I consider myself an Advanced Hobbiest Photographer, but with still much to learn. Well Shiv Verma’s “The Light of Cape Cod” workshop was a well worth taken for experience I learned. The locations Shiv scouted out to photograph were wonderful. Not only classic Cape Cod scenes, but other sites on the Cape that were off the beating trail. Shiv not only teaches you about composition, but gives you his technical expertise on the use of exposure, HDR, and use of filters. He even got me over the learning curve of 100% manual exposure and shutter lockup for my landscape photos. I would recommend anyone to take this particular workshop, and I am personally looking to take another workshop of his at a different location.

 

Posted in Photography

Vietnam – Land of the Ascending Dragon – Photography Tour, March 17 to 27, 2019

Vietnam – a bucket list location for any photographer interested in the many splendors of travel photography. One of Southeast Asia’s most vibrant cultures that offer spectacular scenery, stunning historical sites, colorful ethnic groups that rank it among the great photographic destinations of the world.

This photo tour is tailored to have you in the right locations with the best light for all our planned photo shoots.  The tour is designed to provide you with a mix of street photography, people portraiture, landscapes & the work environment like fishing and salt collection. The tour includes arranged photography in beautiful locations with professional models and local village folk.

This is not a photography workshop but an intense photo tour.  We want this to be a fun photography adventure and all instruction is informal and voluntary. This is an all-encompassing tour that includes hotels, meals, and transportation from the day of arrival to the day you depart.

We will visit 7 beautiful locations for some of the finest photography.

  • Colorful ethnic people of the land.
  • Model shoots in traditional clothing
  • Hue, the Imperial City with models in ancient and exotic settings
  • Stunning images of workers in Hon Khoi Salt Fields
  • UNESCO World  Heritage site of Old Hoi An
  • Cham Culture 
  • Vast Sand Dunes
  • Conical hat market at night

CLICK HERE FOR DETAILS

Posted in Photography

Platypod Black Friday Deals

As you may be aware I have been involved with and have been using the Platypod Max and Ultra “Tripods in your Pocket” when they were just prototypes.  Now for Black Friday you can get them too, and get the accessory kit for free. 

Click Here

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TWiP 541 – All About LUMIX!

Panasonic goes full-frame, is M/43 dead?

In this episode, Don Komarechka and I with Frederick Van Johnson as host, dive into a discussion about Panasonic’s expansion into the full-frame mirrorless space. This brings the company out of the “small sensor” game and directly into competition with Sony, Nikon and other manufacturers vying for consumer “full-frame” dollars.

WATCH TWiP 541 NOW!

Posted in Photography