This was one of my very first images captured with the GH5 using the Leica 12 – 60 lens while the model was being prepped. The image is a jpg capture in sRGB. Click on the image to view it larger.
The makers of Lume Cube have a new smaller and less powerful but a highly efficient light designed for phone photography called the Life Lite. This is a smart, Bluetooth controlled, pocket-sized Lifestyle Light for iPhone, Android, DSLR or a GoPro. The Life Light will be available in March.
This gadget review however, is of the original Lume Cube and the cheaper version that does not have any bluetooth connectivity. Both are identical in performance and while you can controll one with a smart phone the lite version is all manual. I have been using the Lume Cube for many months and have been most satisfied with its performance and portability. I have used these lights for macro, video and portraiture and love the results they have helped produce.
Specs:
The Lume Cube comes in a small cube shaped cardboard box that contains the Lume Cube and a USB charging cable.
You do need to unscrew a small cover to access the charging port. This access cover is a requirement as the Lume Cube is rated to be waterproof to depth of 100 feet.
Shaped as a cube, the unit has two rubberized push button switches on the top and a 1/4 20 mount that can be used to mount the light on a light stand, tripod or any flexible light mounting device.
The two push buttons control the video light and the alternate flash function of the device. Each time you depress the on/off video switch the light cycles through 10 levels of intensity.
You can also control the Lume Cube using the mobile app. Lume Cube has simplified its lighting controls with a proprietary wireless, Bluetooth-enabled app, available on both Apple iOS and Android. The app is capable of controlling up to 5 Lume Cubes simultaneously. The app allows you to adjust the brightness, flash duration and red eye latency on each Lume Cube independently; and with its onboard optical sensor, Lume Cube can be configured as a slave flash unit to be fired by any other external flash.You have to register your Lume Cube to sync it to your app once registered you can control all your Lume Cube’s power and settings separately.
Lume Cube Setup and test for portraits
To test the Lume Cubes I fitted two Lume Cubes on two separate light stands. The “Main” Lume Cube was place so as to create Rembrandt lighting on the dummy head. The second was place to create a gentle fill. As you can see from the image below, the Lume Cube, due mainly to its size creates a fairly hard light. The settings were ISO 200, f/1.7 at 1/125 sec. using a Panasonic Lumix GX85 body and a Lumix 42.5mm f/1.7 lens wide open. The light emitted is cool and for this test I used an X-Rite Color Checker Passport to balance the temperature.
The second test was conducted with the same placement of the lights but instead of the Lume Cubes facing the dummy head directly the light was bounced off two Rogue Flash Benders. No Diffusion material was used.
As you can see the light was much softer and way more pleasing in the image below. The settings were ISO 640, F/1.7 at 1/80 sec. Clearly there is about 3 stops of light loss when using the Flash Benders. However, the soft light is excellent for portraiture.
Lume Cube for Macro/Close-up Photography
The Lume Cube produces a really hard light as it is a very small light, but also a very powerful one. The Lume Cubes were about 1.5 inches from the subject. Exposure triad: F/4, 1/800 sec., ISO 640. The lens was a 30mm macro with an extension tube. Camera: Panasonic Lumix GX85.
The following is the setup:
The image shown below is a 45 image stack using the GX85’s focus bracketing feature.
The portability of these little powerhouses has me convinced, and I tend to carry two in my bag at all times.
The following is the workshop schedule for the first half of 2016:
ALL ONE-DAY WORKSHOPS INCLUDE A PIZZA LUNCH
March 20 – Macro and Close-up Photography
March 26 – Flash Photography, High Speed flash, creative lighting
April 3 – Macro and Close-up Photography
April 9 – Portrait and Lighting Techniques
April 10 – Digital Photography A-Z. This is a one day three part course that will teach you camera basics, post processing and printing.
June 4 – The Digital Darkroom – a course that covers image capture, asset management, processing and enhancement, output to print and web media. A one day program for digital image making workflow
June 5 – Flash Photography, High Speed flash, creative lighting
June 11 – Timelapse Photography, post processing and video assembly
June 12 – Macro and Close-up Photography
If you have any questions or would like more information please call 617-759-0010 or email sv@shivverma.com
Have not had a lot time to test the 2nd Beta release of Affinity but gave it a good shot yesterday. Still a lot to learn, but on the whole, I like it a lot. Has some great features built in, the filters are great but not sure I like the fact that it creates an intermediate file. The following is an image processed entirely using Affinity (Sony Raw to a TIFF export).
Kristina (70 South Gallery – Workshop) – Sony A7R, Zeiss Touit 500mm f/2.8, Exposure triad – ISO 100, f/11, 1/125 sec. Lastolite Trigrip Gold reflector for the key light.
Outdoors at noon against the stone walls of a church
The 70 South Gallery – Lighting and Model Photography workshop was a huge success. Thanks to some great organization by “Adventures in Photography” (NJ, NY and New England) and the 70 South Gallery, Morristown, NJ. The workshop was sold out and we were fortunate to have decent weather for some of the outdoor shoots. I would like to thank the participants, the models and the organizers for all the hard work and support that made this so awesome.
Studio lights were Profoto and Arri, outdoor speed lights were Nissin and personal on and off camera flashes. Lastolite reflectors and the Phottix Luna but dish were also incorporated in the various sessions.
Faux IR Iris
Wishing you and your families a Very Happy & Prosperous New Year
The One Day Workshops for the first quarter of 2015 have been posted.
They are listed on the One Day Workshop Page
OR
You may go directly to the Registration Page to get details and register.
All one day workshops include a Pizza Lunch
Elinchrom’s new D-Lite-RX 2/4 200/400 ws strobes are excellent low sync speed semi portable studio worthy strobes. The ”it” designation is for Intelligent Triggering.
Each strobe head is made from a rugged impact resistant plastic that has a rubberized top handle with a holder for a spare fuse.with many new exciting features. The kit contains two strobes, power cables, two Portalite square soft boxes, with bayonet mounts. Included is one reflector.
Each head has a built-in Skyport” receiver and a four channel Skyport transmitter is included with the kit.The transmitter is an optional item for single units. All heads are fan cooled when needed. The kit includes a pair of Manfrotto light stands and all carrying cases.
The heads are available in 200 and 400 Watt versions. My units are 400 Watts. The control panel is well configured as shown in the image below.
Control Panel – Image courtesy of Elinchrome
Specifications:
Technical Specifications – as provided by Elinchrome
The power switch is illuminated when the head is powered on. A two position LED indicates the power setting, with two buttons to increase or decrease the power in 1/10 increments. Another button allows you to set the modeling light at full power, minimum power, proportional power or off. There is a strobe trigger button called the Eye-Cell and is programmable for Auto, Manual or Pre-Flash modes. This is very useful when using a hot-shoe flash to trigger the D-Lites. Finally there is a button to turn on or off the audible beep. The units have a decent recycling rate recharging in .35 to 1.6 seconds based on the power output setting. A great feature is “Auto Dumping”. When you lower the power output the nut will automatically dump the excess charge and indicates it is ready with a beep.
Assembling the Portalite soft boxes takes up most of the time. There is one addition I would like, a secondary diffusion panel inside the Portalite Softbox. The rest is easy. The units come preconfigured to work with the Skyport set on the Frequency Channel 1 and Group 1. Changing channels and groups is easy and accomplished pressing the power up and down buttons together, then toggling the function using the modeling lamp mode button and using the individual power up or down buttons to
select the following:
At any time you can do a Master Reset to factory defaults switching off the unit, holding the power up and down buttons and switching on the unit again.
The unit has two umbrella mounts. one is a centered tube that will accept 7mm diameter umbrella shafts that are on the Elinchrome EL umbrellas. If you do not have EL umbrellas you can mount an off centered umbrella in the secondary mount near the tilt handle.
For most of the work I do in studio I find these to be an excellent choice. The units work flawlessly. I have two sets in my studio and for the past 8 months these have never missed a beat. The power output and color temperature are consistent and the supplied cases are ideal for transportation to allocation shoots.
I highly recommend these units to anyone looking for an excellent high quality starter system. My preference is for the 400W units.
These can be purchased for $949 for the 400WS heads and $849 for the 200WS heads. Individual heads are also available but the best price breaks are when you purchase a kit.
DP review