Tag Archives: #Lumix

The Lumix GH5S in Arches NP, Utah

I took the GH5S with the Leica 8-18mm lens to the PSA Conference in the hope I would get to use it and capture some night skies.  It was mainly a bust most evenings except last night when the skies were clear.  The park is crowded with tourists even at night – and of course 30 – 40 at a time they climb out of busses and vans with bright flashlights – not a care that someone is trying to photograph the stars.

I was so happy to get a few shots that I really like.  The milky way is not ideal for this time of year but good enough to test the performance of the GH5S.  In my opinion, it gets 5 Stars.

Panasonic Lumix GH5S with the Leica 8-18. Exposure triad: F/2.8, 20 sec at ISO 1600.

 

Panasonic Lumix GH5S with the Leica 8-18. Exposure triad: F/2.8, 25 sec at ISO 1600.

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Fog X FLO -2

Fog X FLO at Arnold Arboretum. Panasonic Lumix G9 with the Leica 12-60mm lens. Exposure triad: f/5, 5 image bracket HDR, ISO 250. 

This was photographed at the Arnold Arboretum of Harvard University located in the Jamaica Plain and Roslindale sections of Boston. It was designed by Frederick Law Olmsted and is the second largest “link” in the Emerald Necklace.  This was another test of the Lumix G9 and Leica 12-60 lens combination’s weather resistance.  Both camera and lens were soaked as a result of the spray from the high pressure water misters but performed flawlessly.

This art exhibition runs through the end of October and is worth visiting.

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Fog X FLO an interpretation

Fog X FLO at Fens. Panasonic Lumix G9 with the Leica 12-60mm lens. Exposure triad: f/5.6, 1/200 sec., ISO 100

This image was captured midday on Sept 3, 2018, when the temperature was 95 degrees. This location is Back Bay Fens in Boston.

“Emerald Necklace Conservancy presents the first citywide exhibition of Fujiko Nakaya’s “climate-responsive” fog art, sited in dialogue with the landmarked landscapes designed by Frederick Law Olmsted (FLO).”  This exhibition is to mark the 20th anniversary of the Conservancy.

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Leica 50-200mm f/2.8-f/4 on the G9 with 2X Tele-extender

This is a crop from the image below.  I wanted to see how well the Leica 50-200 mm performed when used with 2X tele-extender.  The image was shot at ISO 16000 and as you can see the noise performance is great.  The cropped image has a small amount of Lightroom noise reduction applied.  Though the flash did fire the distance to the bird was beyond the flash units reach.

Lumix G9, Leica 50-200mm, 2X Tele-extender and Lumix DMW-FL360L. flash. Exposure triad: f/8, 1/2000 sec at ISO 16000

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Lumix GH5, GH-5S and G9 Firmware updates announced – (Availability May 30, 2018)

Panasonic yesterday announced new firmware updates for the Lumix DC-GH5 (Firmware Version 2.3), DC-GH5S (Firmware Version 1.1) and DC-G9 (Firmware Version 1.1) to further enhance their performance and usability. The firmware updates will be downloadable on May 30, 2018

The new firmware includes the following upgrades: 

LUMIX DC-GH5 Firmware Ver.2.3 

  1. Improvement of AF performance 
  2. Improvement of Body I.S.(Image Stabilizer) performance
  3. mprovement of sound recording performance
  4. New functions
  5. Other improvements

LUMIX DC-GH5S Firmware Ver.1.1 

  1. Improvement of AF performance 
  2. Improvement of sound recording performance
  3. New functions
  4. Other Improvements

LUMIX DC-G9 Firmware Ver.1.1 

  1. Improvement of AF performance 
  2. Improvement of Body I.S.(Image Stabilizer) performance
  3. Improvement of High Resolution Mode
  4. Improvement of sound recording performance
  5. New functions
  6. Other improvements

The new firmware programs will be available at LUMIX Customer Support Site on 30 May, 2018. 

http://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index.html

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Black Swamp – Biggest Week in Birding

Went out to the boardwalk in Magie Marsh to see if I could capture a few images of the tiny warblers that migrate through the “Warbler Capital of the World” near Toledo, Ohio.

Not an easy place to photograph but I feel good that the Lumix G9 paired with the Leica DG Elmar 200 mm f/2.8 prime and the 1.4X teleconverter performed exceptionally well.  Most important was my ability to severely crop and get a very usable image.

Yellow Warbler – Lumix G9, Leica 200mm f/2.8 and 1.4 X teleconverter. Exposure triad: f/5.6, 1/800 sec, ISO 200 – hand-held

 

Yellow Warbler before cropping.

The image below is another example of a severe crop.

Tennessee Warbler (Female) with Insect. Lumix G9, Leica 200mm f/2.8 and 1.4 X teleconverter. Exposure triad: f/5.6, 1/800 sec, ISO 200 – hand-held.

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A trip to the Kennedy Space Center

Exposure triad: I had turned the aperture ring to f/10 by mistake so ended up with and ISO of 2000 and 1/1600 sec shutter.

Yesterday January 27, 2018 I had the opportunity to go with a group of 18 participants to the Kennedy Space Center to find and photograph the Florida Scrub Jays.

SpaceX Falcon Heavy sitting on Pad 39 awaiting its launch next week or soon thereafter.  The pad is 3.6 miles from the Camera Pad where I captured this image. Image only cropped on either side.  Hand held, exposure triad: f/5.6, 1/1250 sec at ISO 200 – lens at 800mm (35mm equivalent) 

The Florida scrub jay (Aphelocoma coerulescens) is one of the species of scrub jay native to North America. It is the only species of bird endemic to the U.S. state of Florida and one of only 15 species endemic to the continental United States. The Florida scrub-jay is the rarest of five species belonging to the genus Aphelocoma, which means ‘smooth-hair’ and refers to the absence of the head crest possessed by some of the more ubiquitous North American jays. The Florida scrub-jay has a co-operative lifestyle. Each Florida scrub-jay pair mates for life and builds a new nest each year between February and March.

G9 with the 200mm f/2.8. Exposure triad: f/5.6, 1/1250 sec at ISO 200 – lens at 800mm (35mm equivalent) 

As there was a fair amount of hiking through the scrub I carried no tripod and hand-held the Panasonic Lumix G9 with the new Leica 200mm f/2.8 lens and the 2X teleconverter.  This is an amazing combination with 6.5 stops of image stabilization the configuration was perfect for this excursion.

A sentinel Scrub Jay making an alarm call. Exposure triad: f/5.6, 1/640 sec at ISO 200 – lens at 800mm (35mm equivalent) 

For this last image I used the pre burst feature to capture RAW files with the camera set to auto focus continuous.  I selected this image for the truly awesome wing position as the jay too flight.

Pre-burst High Speed shooting. Exposure triad:f/5.6, 1/2000 sec at ISO 400 – lens at 800mm (35mm equivalent)

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Space Coast Wildlife & Birding Festival – Day 1

Great Blue Heron in early morning light. Lumix G9 with the Leica 100 – 400 at 528 mm eq. Exposure Triad: f/8, 1/320 sec ISO 800

It was a gorgeous 84 degree day yesterday when I arrived in Titusville for the Space Coast Festival but this morning it was a cold 51 degrees.  This rapid change is no good for bird photography as most of the birds were hunkered down in the mangroves.  The few that braved the cold were mostly way out of reach even with an 800 mm equivalent lens.

These are a few decent images albeit severely cropped.  Now for the good news – the new Leica 200 mm f/2.8 arrived and I have just unpacked it.  Will give this lens a shot tomorrow morning.

Snowy Egret. Lumix G9 with the Leica 100 – 400 at 800mm eq. Exposure Triad: f/6.3, 1/6400 sec ISO 400

 

Spoonbills and Great Egret. Lumix G9 with the Leica 100 – 400 at 800mm eq. Exposure Triad: f/6.3, 1/2000 sec ISO 200

 

Spoonbill Preening. Lumix G9 with the Leica 100 – 400 at 800mm eq. Exposure Triad: f/6.3, 1/1000 sec ISO 200

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The Adorama Panasonic Lumix G9 Launch Event

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Lumix G9 – High Resolution Mode

Many new cameras have repurposed their in body image stabilization to create high resolution images employing sensor shift capture.  The Lumix G9 uses the same concept but shifts the sensor by 1/2 pixel rather than a full pixel.  It captures 8 images in raw and combines them in-camera to generate a single 80 MP Raw file.  Whats more is that you can capture a single standard resolution RAW file of the same image in addition to the high resolution image.  This is a great feature for studio based product photography, still life and architectural photography.  As there is (releatively) significant capture time, any scene with moving subject matter is not suitable for High Resolution capture.  

I set up a simple shot of a Gerbera Daisy with an artificial background to test the resolution and imprtance of this feature. the image above is what I was photographing.  The shutter delay was set for 15 seconds to give me enough time to exit the room and to stabilize any vibration or tripod and camera body. The exposure triad:f/8, 1/200 sec at ISO 200.

The red stroked are is enlarged below for comparison. Of significance, is the minimal pixilation of theis crop in the hi-res image compared to the standard 20.3 MP file.  

Cropped section of the High Resolution Mode Capture

 

Cropped Section of the Standard 20.3 MP image

The  base file at 300 DPI is approx. 34.5 inches by 26 inches. I have sussessfully enlarged this image to 30 feet by 22.5 feet and the image maintains exceptional quality.

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