Valley of Fire
I had a little time to myself today so I decided to check out Valley of Fire State Park. It is a little over an hour from Las Vegas. By the time I got there, it was Noon and the light was not good. Also disappointing was the sky. There were no clouds even though while driving there the sky looked promising.
The image above was taken as the sun dipped behind one of the many ranges in the park. I was using the Lumix S1R with the 24-105mm f/4 lens. Exposure triad: f/16, 2 sec., ISO 100.
The next image is from a more direct viewpoint and captured shortly after the first image. For a brief moment, the colors in the sandstone just came alive. Exposure triad: f/16, 2 sec., ISO 100.
Post Focus & Focus Stacking
Just posted my latest YouTube episode on Post Focus and Focus Stacking
Peace and Tranquility
f/10, 60 sec., ISO 200
Please click on the image for a larger rendition.
This image was captured earlier this year in Falmouth, Massachusetts. At about 7:00 PM the sun was low on the horizon. I wanted to do a long exposure capture but these pilings had a flock of cormorants perched on them, Fortunately, a noisy ski boat disturbed them giving me just enough time for this 60-second exposure.
2019 Favorite Images Part 2
I just posted the second segment of my 2019 Favorite Images and a few back story video clips.
Creative Photography
As I tend to spend more time indoors during the winter, I am looking for unique ways of image capture. I love using my Platypod - tripod alternatives as they are so convenient and maneuverable. For these images, I went a bit overboard, one Platypod Max to support my Lumix S1R with the 24-105 f/4 lens, one Max to hold up the LensBall, two Platypod Ultras with a Platypod gooseneck and a Litra Torch 2 each. A third Platypod Ultra with a gooseneck and a clothespin to hold the flower.
Tiny shifts in the camera angle or flower position create beautiful fluid lines since the Lensball acts like an exaggerated fish-eye lens.
I captured hundreds of images - here in this post are two that I really like a lot.
Light Table Photography on a Snowy Day
With 8 or more inches of snow and not being in a mood to go outside, I set up this composition on a makeshift light table. It is the top of a slide viewer placed on four plastic cups for support. The lights are three Litra Pros set at 5500 Kelvin and full brightness. 7 images were captured starting with a normal exposure for the flowers and then increasing in exposure by 2/3 stop for each subsequent image. The images were then blended in Photoshop 2020 with selective masking for this final result that gives the effect of translucency.
The starting exposure was f/14, 1/160 sec at ISO 400. Captured with the Panasonic Lumix S1R and the 24-105 f/4 lens.
Pushing the Limits
It was very early morning when we spotted this young lion. He has been through some territorial fights - see the scars. The sun had not risen and I was not sure if I could get a decent image. Captured with the Panasonic Lumix S1R and the S Pro 70-200 mm f/2.8 lens. I had the ISO on "auto", and I set the shutter speed to 1/160 sec (i wanted to be as close to one over the focal length I was at). The focal length was at 130mm. The aperture was set at f/2.8 and the camera set the ISO to 16000. Typically I set the limit at ISO 6400 but there would be no image at that sensitivity.
The image a direct conversion from RAW to JPG - no adjustments at all except a crop for composition. The noise reduction is at 0, sharpening at 0. Image processed using Capture One 12.
Please do click on the image to view it larger.
IMPRESSIVE!!!
Lumix S Pro 70-200 f/2.8 hand-held
One of the greatest features of Lumix cameras, the G and the S series is the incredibly good image stabilization. On the S1R was rated at 6 stops. With firmware version v1.1, the in-body IS system will reduce shake by an additional 1/2-stop, for a total of 6 stops with non-stabilized lenses and 6.5 stops with Dual IS-compatible glass. With the new S Pro 70-200 f/2.8, the stabilization is rated at 7 stops.
This image was captured hand-held with the S1R and the S Pro 70-200 and a 2X Teleconverter. The combined focal length was 400mm. Exposure triad f/5.6, 1/125 sec, ISO 800.
Click on the image to view a larger rendition.
Lilac Breasted Roller
This bird is one of my absolute favorites. This avian lives in acacia country where there are well-spaced trees, bushy game lands, riverside areas, and cultivated lands. However, they do not associate with human habitation. They are about 14 in. long.
The Lilac Breasted Roller is also referred to as the Fork Tailed Roller or Mosilikatze's Roller. They typically perch at high points of trees, poles, etc. so the can spot thir prey close to ground level. they will swoop down to grab insects, scorpions, lizards and even small birds.
This specimen was photographed with the Panasonic G9, the Leica 50-200 lens with the 2X tele-adaptor. Exposure triad: f/8, 1/800 sec, ISO 250.
My impressions of the new 70-200 mm L mount zoom lens - LUMIX S PRO 70-200 O.I.S (S-E70200)
I had the pleasure of using two of these lenses, albeit pre-production, with two Lumix S1R bodies while on my trip to Tanzania. I used these with and without the 1.4X and 2X teleconverters in order to extend the reach as needed. With the high resolution of the S1R cropping is a viable option.
The Pro S 70-200 has one of the best image quality performance I have seen in a zoom lens in the range. The lens surely must meet or exceed certain stringent standards to be certified by Leica.
Leopard resting
Exposure triad f/63, 1/500 sec, ISO 2000
Tech details: 22 elements in 17 groups, the use of 2 UED (Ultra Extra-low Dispersion) lenses, 3 ED (Extra-low Dispersion) lenses. Magnification .21X with a close focus distance of .95m. Focus range switchable from Full to .95m-5m and 5m to Limit. The lens is 208.6mm (8.2 in) long with a max diameter of 94.4 mm (3.72 in)and weighs 1,570 gm (3.46 lb). Filter diameter 82mm. It is dust and splash resistant and has a working temperature range of -10 C to 40 C (14 F to 104 F). The focus speed is rated at 0.12 sec. at the extended focal length of 200 mm. It has a focus clutch to allow manual - autofocus switching and the lens barrel has three programmable focus buttons. Dual IS - when coupled with a Dual IS2 body the overall image stabilization is rated at 7 stops. The provided lens collar has an Arca Swiss compatible foot.
African Elephant and Calf
Exposure triad f/8, 1/1000 sec, ISO 500
I found that the lens had exceptional focusing speed and now understand why. The lens uses a double focus system. A large linear motor is used for long-throw adjustments and a stepper motor is used for small incremental strokes. All focusing is internal and the focusing lenses are light so as to allow rapid movement during focusing. The focus frame rate is 480 FPS and the lens tracks subjects incredibly well. This combination clearly has the fastest focusing I have experienced in the Lumix lens line-up. The close focus distance is .95m or about 3 feet. Even at this close range, there is no visible distortion. in-fact the has little to no distortion over its entire zoom range even wide open at f/2.8.
Impala Stag
Exposure triad f/5.6, 1/1000 sec, ISO 400
Cheetah Yawn
Exposure triad f/8, 1/1300 sec, ISO 3200
Wildebeast Migration
Exposure triad f/8, 1/800 sec, ISO 250
Wildebeast (Connochaetes gnou)
Impala on the run (one of the fastest four-legged animals)
Exposure triad f/6.3, 1/800 sec, ISO 320
Juvenile African Fish Eagle (Haliaeetus vocifer).
Exposure triad f/11, 1/800 sec, ISO400
Lion Family on Kill
Exposure triad f/8, 1/800 sec, ISO 2500
Serval Cat (Leptailurus serval)- 2x teleconverter used. Exposure triad f/5.6, 1/200 sec, ISO12800
For the duration of the Tanzania safari, I never mounted either S1R on a tripod or any other clamp or mount. All images were captured hand-held and the image stabilization was amazing even at slow shutter speeds.
Note: Some images have been cropped and some have a vignette applied for presentation purposes.
Tanzania - October 2019
My Tanzania photo safari was truly one of the best wildlife photography experiences. I took a pair of Panasonic Lumix S1R full-frame cameras and the Lumix G9 micro four-thirds camera. Various lenses, a tripod, and ball-head that were never used. However, I did mount a Platypod Ultra with a ball-head to the armrest of the Land Cruiser. This provided all the mounting and support I ever needed for both camera systems. Yes I was over the weight allowance but was prepared and prepurchased excess baggage coverage.
The following are a few images captured with the Lumix G9, the Leica 50-200 mm lens and a 2X Tele-extender.
Exposure Triad: f/8, 1/400sec at ISO 640.
I spent the entire time at the Nasikia KasKaz Mara Camp in Northern Tanzania. The camp is a 45-minute drive from the Kogatendi airstrip. My superb guide Moodie is both a bird and leopard expert and a great photographer too.
This next image was captured at one of the many vast grasslands of the Serengeti. These Cheetahs are brothers who stay and hunt together and rarely stray beyond their marked territory.
Exposure Triad: f/8, 1/1000 sec at ISO 640.
Northern Serengeti has an abundance of bird species. It is truly a birder's paradise. The African Fish Eagle fishing is a fairly common sight along the Mara River. Here I am not sure who is eying who.
The pink flush on the stork indicates breeding status.
Exposure Triad: f/8, 1/640 sec at ISO 200 EV -0.3.
It was late afternoon when I spotted this Little Green Bee Eater. It grabbed what you see in this beak, swallowed it and then realizing it was not what it thought it was - spat it out with a vengeance.
Exposure Triad: f/8, 1/800 sec at ISO 1000.
The last image for this post is of a pair of Nubian Woodpeckers. It is most interesting to hear the pair call in unison.
Exposure Triad: f/8, 1/640 sec at ISO 320 EV+1.3.
Stay tuned for a lot more from this trip.
Cool and Warm
When the sun was setting this past weekend (Sept 7, 2019) the moon was about 60% and quite high over the horizon. As the light from the sun was all but gone, the moon shining on the water created this cool/warm juxtaposition in harmony with these old pilings.
The breaking waves in the foreground appear to be trying to blend the warm and cold together. Also, notice the split in the color temperature how the light significantly affected the shadows of the pilings on the right vs. the ones on the left.
These situations remind me of George Eastman's quote:
"Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography."
A deep dive into the Lumix S1R Camera
In this episode, TWiP host Frederick van Johnson and I discuss the Lumix S1R full-frame mirrorless camera. Amongst the topics of discussion are the features of this new system, the growing lens line-up, and the assertion that Lumix is not abandoning the micro four-thirds sensor size format.
Click on the logo or CLICK HERE to watch the episode
Learn more about the Lumix S1R: Panasonic USA Website
Minimalism - Sunset
The weekend provided
I first shot this composition wide with lots of negative space but realized that with the rocks so small in the frame the beautiful texture was getting lost. So I composed tighter to show much more detail while the image still remained minimal. The setting sun cast some lovely light in the rocks and created a glow in the sand. Although the slow shutter speed remove the detail from the sand, I like the way the color creates a leading line to the rock formation.
The image was captured with the Panasonic Lumix S1R and the Lumix 24-105 f/4 L-Mount lens. A Benro circular polarizer was used to reduce reflections and a Benro 10 stop ND filter was used to slow the shutter down.
Exposure triad: f/8, 60 sec, ISO 100
Milky Way - Acadia NP
Aug 24, 2019 - we had just finished lunch and looked at the forecast. Clear night in Acadia - and perfect as the moon would not be visible during the time when the Milky Way core would be visible. We quickly grabbed our cameras, tripods and some snacks, and drove the 5 1/2 hours to Acadia.
We got to Bar Harbor and went straight to Sand Beach. Sand Beach is a location I had never shot the Milky Way from. My typical locations have been Boulder Beach looking out toward Otter Cliffs, or over one of the ponds. Sand beach did not disappoint.
Camera - Panasonic Lumix S1R with the Sigma MC21 adaptor, Lens - Canon 16-35mm, f/2.8 Version II. Truly waiting for the L-mount Sigma 14mm to be released. Exposure triad f/2.8, 20 sec., ISO 6400.
Narrative and Emotion - B&H Podcast
I am so thrilled to have been invited as a guest on the latest B&H Photography podcast. Thank you Panasonic and B&H for this wonderful opportunity and a special thanks to Host: Allan Weitz, Senior Creative Producer: John Harris, Senior Producer: Jason Tables and Executive Producer: Lawrence Neves. I thoroughly enjoyed our discussion and your hospitality.
CLICK HERE FOR THE ARTICLE AND THE PODCAST
In addition, if you don't already, please do subscribe to the B&H Podcast for some great education and discussions.
Lumix S1R test - Red Arrows - North American Tour
Royal Air Force Aerobatic Team Red Arrows are on a major tour of North America. This is the first in more than a decade. It is intended to promote the best of British and deepen partnerships .
The Red Arrows are on an 11-week North American tour that started in Halifax, Nova Scotia July 8 and will end in Rapid City, South Dakota Oct. 8, 2019.
The aircraft are BAe Hawk T Mk1, a two seater trainer jet that has been replaced by the new Hawk T Mk2. However, the Mk1 will remain in service for another 10 years. Like the Mk2, the Mk1 is a fully aerobatic, low-wing, transonic, two-seat training aircraft that is still used in a number of roles for the RAF. 100 Squadron, based at RAF Leeming.
The show started about 20 minutes later than expected and unlike the flight path that was released the jets flew a completely different route.
My aim was test the performace of the continuous focus capapbility of the Panasonic Lumix S1R in a high speed fly by. The lens I used was the Lumix S Pro 70-200 f/4. The aperture was set to f/8 and the shutter speed was 1/2000 to freeze motion. The ISO was set to auto and resulted in ISO 250 to 320 for the incoming shots and 640 to 800 for the outgoing images. The focus was set to continuous, drive mode on high and the focus area "Zone Oval".
There are two sets on images - 20 incoming and 20 outgoing. All images are from single bursts in the exact sequence and unedited. The RAW files were converted and exported to JPG using Capture One. As you will see from these images, the camera and lens performed exceptionally well in maintaing focus.
This the incoming gallery
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This is the outgoing gallery
[ngg src="galleries" ids="122" display="pro_horizontal_filmstrip"]
Lumix S1R High Res Mode - Palouse Sunset
This is a scaled down version of a 187 MP image of the rolling fields in the Palouse at sunset. The low angle of the sun creates lovely shadows and definition of the undulating hills. This was also a test of the Sigma MC21 with the Sigma 100-400 mm EF mount lens on the Lumix S1R.
Exposure triad: f/6.3, 1/60 sec, ISO 200. Focal length as shot: 400 mm.
I will be in Spokane, WA for the PSA conference and would like to do a photo workshop after the conference. If you are interested let me know so I can make necessary arangements.
Click on the image for a larger rendition.
Happy 4th from Cape Poge
Happy 4th to all. I am spending a few days with a dear friend in Cape
Photographed with the Panasonic Lumix S1R and the Lumix 24-105 f/4 lens. Exposure triad: f/8, 4 sec, ISO 640.