Lilac Breasted Roller
This bird is one of my absolute favorites. This avian lives in acacia country where there are well-spaced trees, bushy game lands, riverside areas, and cultivated lands. However, they do not associate with human habitation. They are about 14 in. long.
The Lilac Breasted Roller is also referred to as the Fork Tailed Roller or Mosilikatze's Roller. They typically perch at high points of trees, poles, etc. so the can spot thir prey close to ground level. they will swoop down to grab insects, scorpions, lizards and even small birds.
This specimen was photographed with the Panasonic G9, the Leica 50-200 lens with the 2X tele-adaptor. Exposure triad: f/8, 1/800 sec, ISO 250.
My impressions of the new 70-200 mm L mount zoom lens - LUMIX S PRO 70-200 O.I.S (S-E70200)
I had the pleasure of using two of these lenses, albeit pre-production, with two Lumix S1R bodies while on my trip to Tanzania. I used these with and without the 1.4X and 2X teleconverters in order to extend the reach as needed. With the high resolution of the S1R cropping is a viable option.
The Pro S 70-200 has one of the best image quality performance I have seen in a zoom lens in the range. The lens surely must meet or exceed certain stringent standards to be certified by Leica.
Leopard resting
Exposure triad f/63, 1/500 sec, ISO 2000
Tech details: 22 elements in 17 groups, the use of 2 UED (Ultra Extra-low Dispersion) lenses, 3 ED (Extra-low Dispersion) lenses. Magnification .21X with a close focus distance of .95m. Focus range switchable from Full to .95m-5m and 5m to Limit. The lens is 208.6mm (8.2 in) long with a max diameter of 94.4 mm (3.72 in)and weighs 1,570 gm (3.46 lb). Filter diameter 82mm. It is dust and splash resistant and has a working temperature range of -10 C to 40 C (14 F to 104 F). The focus speed is rated at 0.12 sec. at the extended focal length of 200 mm. It has a focus clutch to allow manual - autofocus switching and the lens barrel has three programmable focus buttons. Dual IS - when coupled with a Dual IS2 body the overall image stabilization is rated at 7 stops. The provided lens collar has an Arca Swiss compatible foot.
African Elephant and Calf
Exposure triad f/8, 1/1000 sec, ISO 500
I found that the lens had exceptional focusing speed and now understand why. The lens uses a double focus system. A large linear motor is used for long-throw adjustments and a stepper motor is used for small incremental strokes. All focusing is internal and the focusing lenses are light so as to allow rapid movement during focusing. The focus frame rate is 480 FPS and the lens tracks subjects incredibly well. This combination clearly has the fastest focusing I have experienced in the Lumix lens line-up. The close focus distance is .95m or about 3 feet. Even at this close range, there is no visible distortion. in-fact the has little to no distortion over its entire zoom range even wide open at f/2.8.
Impala Stag
Exposure triad f/5.6, 1/1000 sec, ISO 400
Cheetah Yawn
Exposure triad f/8, 1/1300 sec, ISO 3200
Wildebeast Migration
Exposure triad f/8, 1/800 sec, ISO 250
Wildebeast (Connochaetes gnou)
Impala on the run (one of the fastest four-legged animals)
Exposure triad f/6.3, 1/800 sec, ISO 320
Juvenile African Fish Eagle (Haliaeetus vocifer).
Exposure triad f/11, 1/800 sec, ISO400
Lion Family on Kill
Exposure triad f/8, 1/800 sec, ISO 2500
Serval Cat (Leptailurus serval)- 2x teleconverter used. Exposure triad f/5.6, 1/200 sec, ISO12800
For the duration of the Tanzania safari, I never mounted either S1R on a tripod or any other clamp or mount. All images were captured hand-held and the image stabilization was amazing even at slow shutter speeds.
Note: Some images have been cropped and some have a vignette applied for presentation purposes.
Tanzania - October 2019
My Tanzania photo safari was truly one of the best wildlife photography experiences. I took a pair of Panasonic Lumix S1R full-frame cameras and the Lumix G9 micro four-thirds camera. Various lenses, a tripod, and ball-head that were never used. However, I did mount a Platypod Ultra with a ball-head to the armrest of the Land Cruiser. This provided all the mounting and support I ever needed for both camera systems. Yes I was over the weight allowance but was prepared and prepurchased excess baggage coverage.
The following are a few images captured with the Lumix G9, the Leica 50-200 mm lens and a 2X Tele-extender.
Exposure Triad: f/8, 1/400sec at ISO 640.
I spent the entire time at the Nasikia KasKaz Mara Camp in Northern Tanzania. The camp is a 45-minute drive from the Kogatendi airstrip. My superb guide Moodie is both a bird and leopard expert and a great photographer too.
This next image was captured at one of the many vast grasslands of the Serengeti. These Cheetahs are brothers who stay and hunt together and rarely stray beyond their marked territory.
Exposure Triad: f/8, 1/1000 sec at ISO 640.
Northern Serengeti has an abundance of bird species. It is truly a birder's paradise. The African Fish Eagle fishing is a fairly common sight along the Mara River. Here I am not sure who is eying who.
The pink flush on the stork indicates breeding status.
Exposure Triad: f/8, 1/640 sec at ISO 200 EV -0.3.
It was late afternoon when I spotted this Little Green Bee Eater. It grabbed what you see in this beak, swallowed it and then realizing it was not what it thought it was - spat it out with a vengeance.
Exposure Triad: f/8, 1/800 sec at ISO 1000.
The last image for this post is of a pair of Nubian Woodpeckers. It is most interesting to hear the pair call in unison.
Exposure Triad: f/8, 1/640 sec at ISO 320 EV+1.3.
Stay tuned for a lot more from this trip.
ON1 Photo RAW 2020 Released
The 2020 release is available for download NOW. Click on the banner above to get a license or upgrade an existing license.
What’s New ON1 Photo RAW 2020 (14.0.0.7955)
- Print module — Whether you need to print contact sheets, a wall portrait or tile multiple photos into package prints, the improved print dialog is up to the task. You can easily print individual photos like before, but now you can also create contact sheets. You can also print multiple photos on one piece of paper to create packages like 2 5x7’s or 4 4x5’s. You can add watermarks and even output to files for sending your prints to the lab.
- Date Pane — Exploring your photos by date has never been easier. The new automatic timeline albums organize your photos by year, month and day. If you are looking for pictures of your daughter’s birthday you can easily zoom right to that date.
- Map View — View where your photos were taken on a map. Explore photo locations and add location metadata to photos that don’t have GPS metadata. You can even search by location address to find photos quickly, without having to add additional metadata.
- Improved Noise Reduction — The new state-of-art noise reduction algorithm can remove noise while maintaining detail, even with today’s ultra high-ISO cameras.
- AI Match — Love how a shot looks on the back of your camera, but feel disappointed it doesn’t look the same when you open it? The AI Match function solves that. Using our AI technology that we pioneered for migrating edits from Adobe Lightroom, we can now match your RAW photos look to what you saw on the back of the camera.
- AI Auto Tone — Everyone loves the one-click auto button in Photo RAW, and we have made it even better. By analyzing thousands of photos the algorithm has learned how to do an even better job, especially on the tough images. It’s like having an expert editor helping you. Now you can even control the amount of auto-tone you want to add.
- Improved Performance — We take performance seriously. With every update we dedicate time to making things faster. This time we focused on two areas, opening raw files into Edit and brushing with lower-end video cards. You will find both are faster and smoother in practice.
- Custom Camera Profiles — Now you can get predictable, natural color results by creating custom profiles for your camera and lights. We have partnered with X-Rite, the leader in color management to make this easy. Simply photograph an X-Rite target with your camera, then import it into ON1 Photo RAW, then send it to the X-Rite Camera Profiler software to build a custom camera profile that works inside of ON1 Photo RAW.
- Color Balance Filter — The powerful new Color Balance filter lets you remove a cross color cast from the shadows or highlights. It can also create unique duotone or tritone tints by adjusting the color and brightness of the highlights, midtones or shadows. Custom color grading couldn’t be easier.
- Weather Filter — With the new Weather filter in Effects, you can add rain, snow and fog to your photos to create realistic atmosphere.
- Channel Mixer Filter — The new Channel Mixer filter in Effects is a multi-purpose powerhouse. Use it for precise black and white conversions, channel swaps for infrared shots or shift entire color ranges like never before.
- Sun Flare Filter — It’s golden hour anytime with the new Sun Flare filter. You can add realistic sun flares, lens flares and bokeh to your afternoon shots. It’s powered by real photographs from renowned photographer and educator Matt Kloskowski.
- Revamped Preset Catalog & Extras — Photographers love the unique presets that come with ON1 Photo RAW. They make the perfect starting point for taking your photos to eleven. We have modernized the included preset catalog with over 100 new presets for today's looks. We have also added over 50 new backgrounds and skies for your masking pleasure.
- SmugMug Integration — Sharing your best work to the best sharing platform is now built right-into ON1 Photo RAW. Select photos and videos, then publish them to any of your SmugMug galleries. You can even create new galleries and control the size of the photos you upload.
- Focus Mask overlay — Now you can view what’s in-focus in our photos easily. The new Focus Mask overlay marks the areas of best focus with green so you can compare similar photos and pick out the sharpest photo quickly.
- Tons of other minor enhancements — Move the before/after splitter, fade presets right from the preset browser, Win install on other drive, UNC paths on Windows, Lossy Canon CR3 support, Visualize brushstrokes with red overlay.
- Language Support — ON1 Photo RAW is now localized into eleven languages, giving many more photographers access to the best darned photo editor out there. It now supports English, German, Spanish, French, Japanese, Korean, Simplified Chinese, Russian, Portuguese, Italian and Dutch.
- Added Support for New Cameras — Canon Powershot G7X Mark II, Canon Powershot G5X Mark II, Canon 90D EOS M6 MK 2, Sony A7R IV, Sony RX100, Sony NEX-C3, Leica V-Lux 5, Fuji GFX 100
- Added support for Lens Profiles — Canon EF 22-55mm f/4-5.6 USM, Minolta AF 28-75mm F2.8 (D), Nikon AF Nikkor 300mm f/4 IF-ED, Olympus M.30mm F3.5 Macro, Panasonic LEICA DG 100-400/F4.0-6.3, Panasonic Lumix G Macro 30mm f/2.8, PENTAX DA* 60-250mm F4 [IF] SDM, Samsung SM-G950F, Samsung S8 wide-angle lens, Samyang SAMYANG AF 14mm F2.8, Samyang SAMYANG AF 24mm F2.8, Sigma 16mm f/1.4 DC DN | Contemporary C 017, Sony FE 12-24mm f/4 G, Sony 28-75mm F2.8 SAM (SAL2875), Yongnuo YN 50mm f/1.8, Zeiss Otus 85mm f/1.4,
A Red Sunset
This was the sunset image from the same evening as the last few posts. After some great light we had an intense rain storm and then the skies started opening up just before the sun set. All the photographers left the butte except one other PSA member and myself. This image was the reward for sticking it out.
Captured with the Panasonic Lumix S1R and the Lumix Pro S 70-200 mm, f/4 lens at 70 mm. Exposure triad: f/11, 1/125 sec at ISO 800.
Storm Clouds Over Palouse
I arrived in Spokane, WA for the PSA Board Meetings and the Conference. It was a long flight from Boston to Spokane but I was not going to pass up the opportunity to take a ride to the wheat fields of the Palouse. The weather did not look good but then bad weather can make for some great images.
Most of the afternoon the fields had barely any light and when there was some it was flat. As the afternoon progressed there were occasional openings in the dark cloud that were letting some light come through. The was a large expanse of rain clouds that were dumping rain while the sun shone through on either side casting some warm light on the harvested wheat stalks.
This image was captured in high resolution using the Panasonic Lumix S1R and the Lumix S Pro 70-200 f/4 lens. Exposure triad: f/11, 1/25 sec, ISO 200. Lens at 70mm. The 1440 x 934 pixel image is about 8% of the original file.
Please click on the image for a larger rendition.
Cool and Warm
When the sun was setting this past weekend (Sept 7, 2019) the moon was about 60% and quite high over the horizon. As the light from the sun was all but gone, the moon shining on the water created this cool/warm juxtaposition in harmony with these old pilings.
The breaking waves in the foreground appear to be trying to blend the warm and cold together. Also, notice the split in the color temperature how the light significantly affected the shadows of the pilings on the right vs. the ones on the left.
These situations remind me of George Eastman's quote:
"Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography."
A deep dive into the Lumix S1R Camera
In this episode, TWiP host Frederick van Johnson and I discuss the Lumix S1R full-frame mirrorless camera. Amongst the topics of discussion are the features of this new system, the growing lens line-up, and the assertion that Lumix is not abandoning the micro four-thirds sensor size format.
Click on the logo or CLICK HERE to watch the episode
Learn more about the Lumix S1R: Panasonic USA Website
Minimalism - Sunset
The weekend provided
I first shot this composition wide with lots of negative space but realized that with the rocks so small in the frame the beautiful texture was getting lost. So I composed tighter to show much more detail while the image still remained minimal. The setting sun cast some lovely light in the rocks and created a glow in the sand. Although the slow shutter speed remove the detail from the sand, I like the way the color creates a leading line to the rock formation.
The image was captured with the Panasonic Lumix S1R and the Lumix 24-105 f/4 L-Mount lens. A Benro circular polarizer was used to reduce reflections and a Benro 10 stop ND filter was used to slow the shutter down.
Exposure triad: f/8, 60 sec, ISO 100
A not so slow shutter speed - Rocky Coast of Acadia
(please click on the image for a larger rendition)
Slow shutter speed images are interesting and many are minimalist. But by the same token the use of slow shutter speeds seems to have become overly popular. Here in this early morning capture I wanted to slow the shutter down to get the action but at the same time show the motion of the waves as they crashed on the Acadia coastline. The warm glow and blue waters created a harmonious conflict.
The image is a blend of two splashes where both were exposed exactly the same. I used the Panasonic Lumix S1R with the Lumix Pro 70-200 mm f/4 lens at
Milky Way - Acadia NP
Aug 24, 2019 - we had just finished lunch and looked at the forecast. Clear night in Acadia - and perfect as the moon would not be visible during the time when the Milky Way core would be visible. We quickly grabbed our cameras, tripods and some snacks, and drove the 5 1/2 hours to Acadia.
We got to Bar Harbor and went straight to Sand Beach. Sand Beach is a location I had never shot the Milky Way from. My typical locations have been Boulder Beach looking out toward Otter Cliffs, or over one of the ponds. Sand beach did not disappoint.
Camera - Panasonic Lumix S1R with the Sigma MC21 adaptor, Lens - Canon 16-35mm, f/2.8 Version II. Truly waiting for the L-mount Sigma 14mm to be released. Exposure triad f/2.8, 20 sec., ISO 6400.
Narrative and Emotion - B&H Podcast
I am so thrilled to have been invited as a guest on the latest B&H Photography podcast. Thank you Panasonic and B&H for this wonderful opportunity and a special thanks to Host: Allan Weitz, Senior Creative Producer: John Harris, Senior Producer: Jason Tables and Executive Producer: Lawrence Neves. I thoroughly enjoyed our discussion and your hospitality.
CLICK HERE FOR THE ARTICLE AND THE PODCAST
In addition, if you don't already, please do subscribe to the B&H Podcast for some great education and discussions.
Lumix S1R test - Red Arrows - North American Tour
Royal Air Force Aerobatic Team Red Arrows are on a major tour of North America. This is the first in more than a decade. It is intended to promote the best of British and deepen partnerships .
The Red Arrows are on an 11-week North American tour that started in Halifax, Nova Scotia July 8 and will end in Rapid City, South Dakota Oct. 8, 2019.
The aircraft are BAe Hawk T Mk1, a two seater trainer jet that has been replaced by the new Hawk T Mk2. However, the Mk1 will remain in service for another 10 years. Like the Mk2, the Mk1 is a fully aerobatic, low-wing, transonic, two-seat training aircraft that is still used in a number of roles for the RAF. 100 Squadron, based at RAF Leeming.
The show started about 20 minutes later than expected and unlike the flight path that was released the jets flew a completely different route.
My aim was test the performace of the continuous focus capapbility of the Panasonic Lumix S1R in a high speed fly by. The lens I used was the Lumix S Pro 70-200 f/4. The aperture was set to f/8 and the shutter speed was 1/2000 to freeze motion. The ISO was set to auto and resulted in ISO 250 to 320 for the incoming shots and 640 to 800 for the outgoing images. The focus was set to continuous, drive mode on high and the focus area "Zone Oval".
There are two sets on images - 20 incoming and 20 outgoing. All images are from single bursts in the exact sequence and unedited. The RAW files were converted and exported to JPG using Capture One. As you will see from these images, the camera and lens performed exceptionally well in maintaing focus.
This the incoming gallery
[ngg src="galleries" ids="121" display="pro_horizontal_filmstrip"]
This is the outgoing gallery
[ngg src="galleries" ids="122" display="pro_horizontal_filmstrip"]
The Yellow Walls of Hoi An
Hoi An Ancient town is located in Viet Nam’s central Quang Nam Province, on the north bank near the mouth of the Thu Bon River. The city of Hoi An is beautiful but is inundated with tourists. This old town has a number houses that are painted a deep yellow and make for a wonderful photographic backdrop.
Why yellow? The Vietnamise believe that yellow is a symbol of royalty. The yellow color reflects the beautiful culture of Vietnam, symbolizing luck, pride and prosperity.
We spent two days in this amazing city this March. We photographing the markets in the aery morning, fishing villages at sunrise and sunset, street scenes during the day and lots of night photography along the river. We could easily have spent a few more days here.
Hoi An has nearly 1,000 ancient houses and of these 844 houses are included on the list of UNESCO's cultural heritage. Visiting these home requires a small subscription of about $5 and is worth every penny.
All images in this post were captured with the Panasonic Lumix G9 and the Leica 12-60 lens. Please click on the images to open them in a larger window.
Elders in Vietnam
In 2019 Vietnam has a median age of only 26. But it is ageing rapidly. Currently individuals over the age of 60 are 12% of the total population. It is expected that this will go beyond 20% by the year 2040. Clearly this iforecase ids one of the quickest increases in the world. Remember, most of the would be elders today were wiped out during the long war. This image is of one gentleman who survived and at his age, he is full of humor - he would like to marry again, "in a heart beat" he says.
The people of this country are truly wonderful. They understand the devastation but accept it - "it was not the Vietnam war" they say "it was the American war" - collectively they are building for a better and stronger economy. I have yet to see a population that works as hard as the Vietnamese.
Image captured with the Panasonic Lumix G9 with the Leica 12-60 mm lens at 50mm. Exposure triad: f/4, 1/50 sec., ISO 400. Image was converted to B&W using Capture One.
Please click on the image for a larger rendition.
Lumix S1R High Res Mode - Palouse Sunset
This is a scaled down version of a 187 MP image of the rolling fields in the Palouse at sunset. The low angle of the sun creates lovely shadows and definition of the undulating hills. This was also a test of the Sigma MC21 with the Sigma 100-400 mm EF mount lens on the Lumix S1R.
Exposure triad: f/6.3, 1/60 sec, ISO 200. Focal length as shot: 400 mm.
I will be in Spokane, WA for the PSA conference and would like to do a photo workshop after the conference. If you are interested let me know so I can make necessary arangements.
Click on the image for a larger rendition.
The Palouse at Sunrize
The fields of the Palouse photographed along the road about midway to the top of Steptoe Butte. It started with cloudy skies but then the sun peeked through providing lovely light. The detail captured using a 47MP full frame body with a Leica Certified 70-200mm is just exceptional.
Captured with the Lumix S1R and the S1 Pro 70-200 mm f/4 lens at 200mm. Exposure triad: f/11, 1/40 sec, ISO 200.
Echoing Curves
The beaches beyond Marineland in St. Augustine have some beautiful rock formations. This image was captured while the colors in the sky still had some magenta while the horizon was turning warm gold. The way the ocean had receded taking sand away from the front of this rock and exposing the bright green moss caught my eye. Even more interesting were the curves in the sand, the shape of the waves and the shape of the face of the rock. Each curve in harmony with and echoing the other.
Captured with the Panasonic Lumix S1R with the 24 – 105 f/4 lens. A Benro filter holder with a 3 stop ND, a polarizer and a 3 stop soft edge grad was used for this image. The lens was at 35mm and the exposure triad: f/8, 8 sec, ISO 100.
Marineland Beach - A1A St. Augustine
Sunrise the day before leaving St Augustine was mostly cloudless with just a small band just on the horizon. The few clouds were enough to defuse the light and create a lovely warm glow on the rocks. I set up the Lumix S1R with the 24 - 105 f/4 lens. A Benro filter holder with a 6 stop ND, a polarizer and a 3 stop soft edge grad was used for this image. The lens was at 52mm and the exposure triad: f/10, 15 sec., ISO 50.