Panasonic Lumix S Series Full Frame Cameras - Specs and Pricing Announced
The following is the official press release
Newark, NJ (February 1, 2019) - After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.
The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p), intuitive control, a rugged design for heavy field use, durability, and expandability.
The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting.
The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.
Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.
Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.
As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers.
*1 PAL area only
*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.
*4 Service is not available in some countries.
- High picture quality made possible by the first LUMIX full-frame mirrorless camera
Unprecedented picture quality and high descriptive performance LUMIX S1R
The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
High image quality, high sensitivity performance LUMIX S1
The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.
An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.
Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.
Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.
The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers.
The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
*4 “HSP” is an HDR picture format using HLG format video technology.
*5 The guide number decreases when the shutter speed is set to 1/320 of a second.
*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
2. High-speed, high-precision AF system LUMIX S1R LUMIX S1
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices - lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects - humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera.
For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
*2 At ISO100, F1.4, AFS
*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.
The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.
To make the camera just like a part of the photographer's body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1
To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.
The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.
A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2), Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
5．Outstanding video recording performance in a full-frame camera
4K 60p video recording for more creative freedom LUMIX S1R
The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording.
Exceptional video recording performance for professional videographers LUMIX S1
The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019.
As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps).
For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable.
*1 PAL area only.
*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.
*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.
- When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).
6. Other Features LUMIX S1R LUMIX S1
･Photo Style Featuring a New Flat Mode
To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.
･Variable Aspect Ratios With New 65:24 and 2:1
In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting.
･I.S. Status Scope
The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.
･Flicker Decrease
When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.
*Not available in 6K PHOTO, 4K PHOTO and Post Focus.
･Highlight Weighted Light Metering Mode
The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.
･New AWBw Auto White Balance Mode
In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light.
･Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n)
Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.
*1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only.
*2 5 GHz Wi-Fi is not available in some countries.
･Lumix Tether
This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.
･Lumix Sync
Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.
•Leica is a registered trademark of Leica Microsystems IR GmbH.
•L-Mount is a trademark or registered trademark of Leica Camera AG.
•Android and Google Play are trademarks or registered trademarks of Google Inc.
• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
•XQD is a trademark of Sony Corporation.
•All other company and product names are trademarks of their respective corporations.
•Some accessories are not available in some countries.
•The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
•Design and specifications are subject to change without notice.
MINWR Field Workshop
January 25, 2019 - 7:00 AM field trip to Merrit Island National
This year the number of Glossy Ibis in the reserve is exceptional. I have never seen so many flocks of 20 Ibis or more.
On the other hand, the Roseate Spoonbills are not as abundant as in past years.
Lumix G9 Hi-Res Mode - Canyonlands, UT
Despite windy conditions, I wanted to test the Hi-Res Mode of the Lumix G9 in a lighting situation where there would be a minimum shadow definition. I found this location and vantage point and returned at near high noon. The clouds were interesting but as they were not interfering with the light falling on this monolith, I set up and captured this image.
The original RAW file before any crop was 10368 px by 7776 px and approx 138 MB. One for one pixel (native resolution) at 260 DPI this image will print 40 inches wide. The image was processed in Capture One and I cropped down from the top for a better composition. The reduced resolution is a 1400px by 922px file.
No sharpening or lens correction has been applied, nor has any chromatic correction been done.
To determine the detail and quality of the image I have done an extreme crop as shown in the image below.
Alaska - Bears of Katmai and more Photography Workshop
July 1 to July 7, 2019
Coastal Grizzly Bears and Walrus will be our primary subjects but we may also see Wolf, Lynx, Moose, Beaver, Caribou, Dall sheep, Seals, Fox, Sea Otters, Tundra Swan, Puffins, and Bald Eagles. This is the best location on Planet Earth to observe and photograph the giant coastal grizzlies (brown bears). In this perfect wilderness, you will watch bears fishing for salmon, digging for clams, eating sedge grasses or grazing on blueberries on the alpine tundra. Visit one of the world's only photographable walrus pods on a remote Baring Sea beach.
The lodge provides a true wilderness experience. Iliamna and Redoubt are two active volcanoes in Lake Clark National Park. Iliamna has not erupted recently but is frequently seen steaming from its summit fumaroles. Redoubt erupted in the spring of 2009. Both these volcanoes provide an excellent backdrop for coastal brown bear photography.
We will have the opportunity to photograph the coastal brown bears, boars, and sows (many with cubs) in their natural environment but at close up ranges. At times 70 mm can be too much. This location does not have the typical viewing platforms and limited viewing areas. You will photograph from the ground as well as low trailers pulled by ATVs.
Tanzania - Tarangire, Ngorongoro and the Mara Photography Safari
August 14 to 23, 2017
The annual migration in Tanzania is a once in a lifetime experience. This photo adventure is planned to give you the opportunity to photograph the world’s largest concentration of elephants per square mile in Tarangire National Park; descend into Ngorongoro crater with a population of over 25,000 animals including the big 5 and travel the northern plains of the Serengeti. We will visit the Mara and Sand Rivers to witness and photograph the annual wildebeest migration. We will also have the opportunity to be among and photograph the Maasai going about their daily routines. Game drives will take advantage of the awesome light of the dry season. If we are lucky we will see the endangered black rhino.For this photo safari we will stay in camps and lodges that are inside the parks and reserves allowing us to view game in the early hours without the need to travel miles to get into the park. Our vehicles will give each photographer a single row allowing an unobstructed view from either side of the vehicle.CLICK HERE FOR DETAILS
Light of Cape Cod - Photo Workshop Spring 2019
Announcing the Light of Cape Cod
A 4-day, 3-night photography workshop - Eastham, MA - May 24 to 27, 2019
Mid Spring in Cape Cod is a multi-faceted photo opportunity with truly spectacular scenics and some wildlife. The tourists have not crowded the roads and traffic is not a nightmare. This very special workshop is for all levels of photographers from beginner to advanced. The Cape provides some of the most incredible landscapes and seascapes and the light during spring is exceptional. We will explore and photograph the Cape's classic seashore, sand dunes, lighthouses, and some wildlife. We will determine schedules and locations based on weather forecasts, tides and sunrise/sunset times. We may even explore the opportunity to do some night photography.
The workshop will begin with a meet and greet and an orientation briefing. We will then venture out to capture a sunset. A post-dinner short classroom session devoted to teaching exposure theory, composition and field techniques will be conducted. Each day we will explore various landscapes whether intimate ones or those on a grand scale, photographing sand patterns, marsh grasses, and fishing scenes.Our days will be based on a very flexible schedule allowing us to respond to the opportunities based on weather and light conditions so you can have the best photo experiences each day. CLICK HERE FOR DETAILS AND REGISTRATION A few comments from past participants:
I learned a lot about digital photography from this hands-on, highly flexible workshop, and met a great network of people with a shared interest in becoming better photographers.
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The Cape Cod Light workshop was such an incredible learning experience. The sites selected to photograph the sunsets were just beautiful. The entire group was so much fun and great to photograph with. I would like to thank Shiv and Monica for a fun-filled weekend and am looking forward to my next workshop with them. Gail Shiv is a great instructor and a great time was had by all.
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It was a wonderful experience to be around the two of you. We learned so much. Both technically as well as rushing up our concepts. We also really value the personal touch. Thank you.
I consider myself an Advanced Hobbiest Photographer, but with still much to learn. Well Shiv Verma's "The Light of Cape Cod" workshop was a well worth taken for experience I learned. The locations Shiv scouted out to photograph were wonderful. Not only classic Cape Cod scenes, but other sites on the Cape that were off the beating trail. Shiv not only teaches you about composition, but gives you his technical expertise on the use of exposure, HDR, and use of filters. He even got me over the learning curve of 100% manual exposure and shutter lockup for my landscape photos. I would recommend anyone to take this particular workshop, and I am personally looking to take another workshop of his at a different location.
Vietnam - Land of the Ascending Dragon - Photography Tour, March 17 to 27, 2019
Vietnam - a bucket list location for any photographer interested in the many splendors of travel photography. One of Southeast Asia’s most vibrant cultures that offer spectacular scenery, stunning historical sites, colorful ethnic groups that rank it among the great photographic destinations of the world.This photo tour is tailored to have you in the right locations with the best light for all our planned photo shoots. The tour is designed to provide you with a mix of street photography, people portraiture, landscapes & the work environment like fishing and salt collection. The tour includes arranged photography in beautiful locations with professional models and local village folk.This is not a photography workshop but an intense photo tour. We want this to be a fun photography adventure and all instruction is informal and voluntary. This is an all-encompassing tour that includes hotels, meals, and transportation from the day of arrival to the day you depart.We will visit 7 beautiful locations for some of the finest photography.
- Colorful ethnic people of the land.
- Model shoots in traditional clothing
- Hue, the Imperial City with models in ancient and exotic settings
- Stunning images of workers in Hon Khoi Salt Fields
- UNESCO World Heritage site of Old Hoi An
- Cham Culture
- Vast Sand Dunes
- Conical hat market at night
Platypod Black Friday Deals
As you may be aware I have been involved with and have been using the Platypod Max and Ultra "Tripods in your Pocket" when they were just prototypes. Now for Black Friday you can get them too, and get the accessory kit for free. Click Here
TWiP 541 – All About LUMIX!
Panasonic goes full-frame, is M/43 dead?
In this episode, Don Komarechka and I with Frederick Van Johnson as host, dive into a discussion about Panasonic’s expansion into the full-frame mirrorless space. This brings the company out of the “small sensor” game and directly into competition with Sony, Nikon and other manufacturers vying for consumer “full-frame” dollars.WATCH TWiP 541 NOW!
Panasonic Lumix G Series New Firmware Updates Released
Firmware updates for the Lumix GH5, GH5S, G9, and the GX9 were released today. You can get the latest firmware from the following page:http://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index.htmlOf significance is the improvement in autofocus performance with all these cameras.Please be sure to follow the instuctions as indicated on the following page:http://av.jpn.support.panasonic.com/support/global/cs/dsc/download/fts/step1.html
The Lumix GH5S in Arches NP, Utah
I took the GH5S with the Leica 8-18mm lens to the PSA Conference in the hope I would get to use it and capture some night skies. It was mainly a bust most evenings except last night when the skies were clear. The park is crowded with tourists even at night - and of course 30 - 40 at a time they climb out of busses and vans with bright flashlights - not a care that someone is trying to photograph the stars.I was so happy to get a few shots that I really like. The milky way is not ideal for this time of year but good enough to test the performance of the GH5S. In my opinion, it gets 5 Stars.
Panasonic announces 2 Full Frame Cameras, 3 lenses for the FF bodies and one for MFT
Panasonic today announced two models of its first Digital Single Lens Mirrorless camera called the "S" Series. Both with a 35 mm full-frame image sensor, the LUMIX S1R and the S1. Both cameras will support 4K 60p video and the Dual I.S. image stabilization system. These cameras are slated for release in early 2019 and both promise to be exceptional systems.Key features:
- Effective pixels: 47M for the S1R and 24M for the S1)
- 4K 60p video recording
- Dual I.S. (Image Stabilization)
- A double slot for XQD memory cards and SD memory cards
- Rugged triaxial tilt LCD
- Leica Camera's L-Mount, making it possible to use interchangeable lenses that meet the L-Mount specifications in partnership with Leica Camera and Sigma.
Panasonic will also expand its lineup of LUMIX S series compatible lenses, developing more than ten by 2020, including a 50 mm/F1.4 fixed-focus lens, 24-105 mm standard zoom lens, and 70-200 mm telephoto zoom lens. The speed of the two zoom lenses was not specified.Stay tuned for additional details as they become available for release.For the MFT system:Panasonic has started developing a LEICA DG VARIO-SUMMILUX 10-25 mm constant aperture f/1.7 lens≥In addition, Panasonic has announced the launch of LUMIX PRO, a service and support program for its LUMIX professionals. This program has been designed to ensure that professionals can receive service and repair benefits globally. Stay tuned for additional details on the October launch for the US market.Prototypes of the new cameras and lenses introduced above are being exhibited at Photokina in Germany.
Aurora HDR 2019 ready for pre-order
About Aurora HDR 2019:
Skylum’s Quantum HDR Engine harnesses the power of AI for a more streamlined editing experience than ever before. It reduces burned-out colors, loss of contrast, noise and unnatural lighting caused by halos and unstable deghosting.
The Quantum HDR Engine has taken three years to create within Skylum’s AI lab, and contains the vast knowledge of the development team paired with artificial intelligence to bring you seamless HDR editing, be it with a single image or multiple bracketed shots.
Skylum’s developers tested thousands of bracketed shots through a neural network, and used the results to develop the technology needed for creating incredible HDR photographs - whether it’s real estate, landscape, cityscape or any other type of HDR photography.
Here are the most essential changes:
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New Quantum HDR Engine
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LUTs support with 11 New Integrated LUTs
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Photoshop plugins support
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New HDR Smart Structure filter for realistic and artefact-free structure (can be found in the new HDR Enhance filter)
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Presets are now called ‘Looks’
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Improved Adjustable Gradient filter with new sliders for Shadows and Highlights added
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Improved HDR Details Boost Effect (the photo is shown in high-resolution while fine-tuning the filter)
Offer Availability:
Aurora HDR 2019 will be available for pre-order on September, 12, and released on October, 4.
Pre-Order Pricing:
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Current users may upgrade at a price of $49 USD ($59 USD MSRP)
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New users can purchase Aurora HDR 2019 at a price of $89 USD ($99 USD MRSP)
Pre-Order Bonuses:
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Video Tutorial: Getting the Most from Aurora HDR 2019 by Trey Ratcliff
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Landscape Photography Handbook by David Johnston
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Burning Moods Looks by Richard Harrington
Fog X FLO -2
This was photographed at the Arnold Arboretum of Harvard University located in the Jamaica Plain and Roslindale sections of Boston. It was designed by Frederick Law Olmsted and is the second largest "link" in the Emerald Necklace. This was another test of the Lumix G9 and Leica 12-60 lens combination's weather resistance. Both camera and lens were soaked as a result of the spray from the high pressure water misters but performed flawlessly.This art exhibition runs through the end of October and is worth visiting.
Fog X FLO an interpretation
This image was captured midday on Sept 3, 2018, when the temperature was 95 degrees. This location is Back Bay Fens in Boston."Emerald Necklace Conservancy presents the first citywide exhibition of Fujiko Nakaya’s “climate-responsive” fog art, sited in dialogue with the landmarked landscapes designed by Frederick Law Olmsted (FLO)." This exhibition is to mark the 20th anniversary of the Conservancy.
Leica 50-200mm f/2.8-f/4 on the G9 with 2X Tele-extender
This is a crop from the image below. I wanted to see how well the Leica 50-200 mm performed when used with 2X tele-extender. The image was shot at ISO 16000 and as you can see the noise performance is great. The cropped image has a small amount of Lightroom noise reduction applied. Though the flash did fire the distance to the bird was beyond the flash units reach.
Streets of Old Montreal
Not only is the Lumix GH5s a great low light camera, it has excellent dynamic range. I should have used its native ISO of 400 instead of 160 to get an even better range.
Panasonic announces the LUMIX LX100 II with 24-75mm LEICA DC Lens
- 17 MP [4:3 aspect] high-sensitivity multi-aspect four thirds MOS sensor. 4:3, 3:2, 16:9, 1:1 multi-aspect modes taken from 21.77 megapixel total count*.
- Leica DC 24-75mm lens [F1.7-2.8], with POWER O.I.S. [Optical Image Stabilizer]
- 24p / 30p 4K video and exclusive 4K PHOTO modes plus focus stacking.
- Electronic Viewfinder EVF [2,764k-dot], and large 3-inch touch sensitive monitor [1240k-dot]
Topaz Labs AI Gigapixel - now available
Topaz Labs introduces A.I. Gigapixel - The smarter, sharper, image resizer.A.I.Gigapixel™ is the first desktop application to use a breakthrough in artificial intelligence (A.I.) to enlarge your images while adding natural details for an amazing result. This is in stark contrast to existing image resizers that produce images that are blurry, unrealistically painterly, or lack detail.Whether you need high DPI image conversions for large prints, blowing up extensive crops into existing photos to get that perfect composition, enlarging pictures taken from drones or smartphones, or just hope to have a 50MP medium format camera, A.I. Gigapixel can help. Powerful, Diligent Pixel Perfect Processing.
A.I. Gigapixel can perform Millions of calculations per pixel in your image, resulting in trillions of computations for your image to ensure it enhances all the right details. This many calculations on a full-size RAW image can take time to complete, but the results speak for themselves.Topaz A.I. Gigapixel is a standalone application only (it does not work as a plugin or Topaz Studio adjustment) made for batch resizing your images. It uses the power of Topaz's proprietary Artificial Intelligence engine to make sharper and clearer upscaled images than traditional upscaling tools.
Focus Bracketed - Yellow Orchid
One of the greatest features of the Panasonic Lumix DC-G9 is "bracketing". Yes, like most cameras the G9 can bracket exposure. However, the G9 can bracket aperture, white balance and focus. While in camera focus stacking is possible using the "Post Focus" function, the individual images are JPEG as is the final stacked image. For RAW images and high-resolution stacks, it is best to use focus bracketing. With focus bracketing, you set the stepping distance and the number of images that need to be captured. You can also set the sequencing for how the images are captured, similar to exposure bracketing - 0/-/+ or 0/+. I prefer the second as I always start my stack from the front of the subject and work the focus away from the camera.