Lumix S1R test - Red Arrows - North American Tour
Royal Air Force Aerobatic Team Red Arrows are on a major tour of North America. This is the first in more than a decade. It is intended to promote the best of British and deepen partnerships .
The Red Arrows are on an 11-week North American tour that started in Halifax, Nova Scotia July 8 and will end in Rapid City, South Dakota Oct. 8, 2019.
The aircraft are BAe Hawk T Mk1, a two seater trainer jet that has been replaced by the new Hawk T Mk2. However, the Mk1 will remain in service for another 10 years. Like the Mk2, the Mk1 is a fully aerobatic, low-wing, transonic, two-seat training aircraft that is still used in a number of roles for the RAF. 100 Squadron, based at RAF Leeming.
The show started about 20 minutes later than expected and unlike the flight path that was released the jets flew a completely different route.
My aim was test the performace of the continuous focus capapbility of the Panasonic Lumix S1R in a high speed fly by. The lens I used was the Lumix S Pro 70-200 f/4. The aperture was set to f/8 and the shutter speed was 1/2000 to freeze motion. The ISO was set to auto and resulted in ISO 250 to 320 for the incoming shots and 640 to 800 for the outgoing images. The focus was set to continuous, drive mode on high and the focus area "Zone Oval".
There are two sets on images - 20 incoming and 20 outgoing. All images are from single bursts in the exact sequence and unedited. The RAW files were converted and exported to JPG using Capture One. As you will see from these images, the camera and lens performed exceptionally well in maintaing focus.
This the incoming gallery
[ngg src="galleries" ids="121" display="pro_horizontal_filmstrip"]
This is the outgoing gallery
[ngg src="galleries" ids="122" display="pro_horizontal_filmstrip"]
The Yellow Walls of Hoi An
Hoi An Ancient town is located in Viet Nam’s central Quang Nam Province, on the north bank near the mouth of the Thu Bon River. The city of Hoi An is beautiful but is inundated with tourists. This old town has a number houses that are painted a deep yellow and make for a wonderful photographic backdrop.
Why yellow? The Vietnamise believe that yellow is a symbol of royalty. The yellow color reflects the beautiful culture of Vietnam, symbolizing luck, pride and prosperity.
We spent two days in this amazing city this March. We photographing the markets in the aery morning, fishing villages at sunrise and sunset, street scenes during the day and lots of night photography along the river. We could easily have spent a few more days here.
Hoi An has nearly 1,000 ancient houses and of these 844 houses are included on the list of UNESCO's cultural heritage. Visiting these home requires a small subscription of about $5 and is worth every penny.
All images in this post were captured with the Panasonic Lumix G9 and the Leica 12-60 lens. Please click on the images to open them in a larger window.
Elders in Vietnam
In 2019 Vietnam has a median age of only 26. But it is ageing rapidly. Currently individuals over the age of 60 are 12% of the total population. It is expected that this will go beyond 20% by the year 2040. Clearly this iforecase ids one of the quickest increases in the world. Remember, most of the would be elders today were wiped out during the long war. This image is of one gentleman who survived and at his age, he is full of humor - he would like to marry again, "in a heart beat" he says.
The people of this country are truly wonderful. They understand the devastation but accept it - "it was not the Vietnam war" they say "it was the American war" - collectively they are building for a better and stronger economy. I have yet to see a population that works as hard as the Vietnamese.
Image captured with the Panasonic Lumix G9 with the Leica 12-60 mm lens at 50mm. Exposure triad: f/4, 1/50 sec., ISO 400. Image was converted to B&W using Capture One.
Please click on the image for a larger rendition.
Lumix S1R High Res Mode - Palouse Sunset
This is a scaled down version of a 187 MP image of the rolling fields in the Palouse at sunset. The low angle of the sun creates lovely shadows and definition of the undulating hills. This was also a test of the Sigma MC21 with the Sigma 100-400 mm EF mount lens on the Lumix S1R.
Exposure triad: f/6.3, 1/60 sec, ISO 200. Focal length as shot: 400 mm.
I will be in Spokane, WA for the PSA conference and would like to do a photo workshop after the conference. If you are interested let me know so I can make necessary arangements.
Click on the image for a larger rendition.
Happy 4th from Cape Poge
Happy 4th to all. I am spending a few days with a dear friend in Cape
Photographed with the Panasonic Lumix S1R and the Lumix 24-105 f/4 lens. Exposure triad: f/8, 4 sec, ISO 640.
The Palouse at Sunrize
The fields of the Palouse photographed along the road about midway to the top of Steptoe Butte. It started with cloudy skies but then the sun peeked through providing lovely light. The detail captured using a 47MP full frame body with a Leica Certified 70-200mm is just exceptional.
Captured with the Lumix S1R and the S1 Pro 70-200 mm f/4 lens at 200mm. Exposure triad: f/11, 1/40 sec, ISO 200.
Echoing Curves
The beaches beyond Marineland in St. Augustine have some beautiful rock formations. This image was captured while the colors in the sky still had some magenta while the horizon was turning warm gold. The way the ocean had receded taking sand away from the front of this rock and exposing the bright green moss caught my eye. Even more interesting were the curves in the sand, the shape of the waves and the shape of the face of the rock. Each curve in harmony with and echoing the other.
Captured with the Panasonic Lumix S1R with the 24 – 105 f/4 lens. A Benro filter holder with a 3 stop ND, a polarizer and a 3 stop soft edge grad was used for this image. The lens was at 35mm and the exposure triad: f/8, 8 sec, ISO 100.
Marineland Beach - A1A St. Augustine
Sunrise the day before leaving St Augustine was mostly cloudless with just a small band just on the horizon. The few clouds were enough to defuse the light and create a lovely warm glow on the rocks. I set up the Lumix S1R with the 24 - 105 f/4 lens. A Benro filter holder with a 6 stop ND, a polarizer and a 3 stop soft edge grad was used for this image. The lens was at 52mm and the exposure triad: f/10, 15 sec., ISO 50.
Lumix S1R - The value of great resolution with good pixels
Last month I spent a few days in St. Augustine at Florida's Birding and Photo Festival. I took the Lumix S1R along even though I knew I would be shooting predominantly with the Lumix G9 and the Leica 100-400, an ideal bird photography combination. I was also hoping to try out the Sigma MC21 and some of the long glass that Sigma makes - more on that in future posts. For my very first shoot I decided to lave the G9 behind and just use the S1R with the Lumix Pro (Leica certified) 70-200mm f/4. Boy was this a great combination. The following images are an example of what impressed me most.
I am a strong believer on exposing to the right to maximize the ammout of data captured and this root image is an example of this technique.
The image below is of a Roseate Spoonbill that had landed near some alligators to drink water.
Typically I will adjust exposure, white /black points, highlights and shadows to get the image to what it looked like. These adjustments are shown in the screen capture as below.
As the composition was limited by the focal length of the lens I decided on a tight crop while maintaining the reflection as in the image below. The original image is 8368 X 5584 pixels and the cropped image is 1934 X 2528. Though not exact it is close to a 2X crop or the equivalent of a micro four third sensor. This provides a field of view equivalence of 400 mm.
Seeing the detail and the quality of the cropped image, I went a step further and cropped further to 1934 x 1434. This is approximately another 50%.
In my opinion this is a perfectly good image and useable in and digital competition as most competition require the image to be 1400 X 1050 px.
So why not take it one step further. A severe crop of the neck and head.
To further test the quality of images from the S1R, I took this small jpg image above and resized it to 1050 px high.
Using the same original jpg image a further resize was done to 1920 X 2678 px. This is more than sufficient for any screen/monitor display and any photographic competition.
ull disclosure, I am a Lumix Global Ambassador and use Lumix cameras and lenses for my photography. I will say that after using the S1R for a month, in my opinion, it is an exceptional camera and the best digital camera I have used to date.
The LUMIX S1R is Panasonic's new 47.3-megapixel full-frame CMOS sensor camera.
Vietnam - 2
Nam Cuong sand dunes were amazing - though there was not much texture in the sky the dunes were a beautiful sight. They were really pristine till a bunch of tourists started climbing the slopes. Managed a few shots before the decimation.
A local Cham cowherd had brought his bulls and a wagon that had truck wheels to help traverse the dunes. Lovely warm light on this man's made for an interesting candid image.
The Chăm Pa now a minority were dynasty that extended across the coast of central and southern Vietnam from approximately the 2nd century AD. They were absorbed and annexed by the Vietnamese Emperor Minh Mạng in AD 1832. They are the poorest people in Vietnam.
Why miss an opportunity - here are his bulls that he had unyoked from the wagon.
A young Cham girl plays with simple toys while sitting on the dunes in a pile of tires.
Vietnam - March 2019 - 1
Sitting at the airport in Ho Chi Minh City waiting to board my return flight. As there is a bit of time I have started looking at some of the images from this fabulous trip. Despite the heat and humidity (both bearable), the photo opportunities are just phenomenal.
This is a late evening view of the tallest building in Ho Chi Minh. It is not a part of the main skyline but to the right as you look across the river. Access to photograph the main city skyline was closed due to major construction.
Day three we drove past some very very large fishing villages. The image below is one that caught my eye. It was in the village of Mui Ne on the coastal route from Ho Chi Minh to Phan Rang. It was interesting to see practically all the varieties of fishing vessels you find in Vietnam.
Burrowing Owlet
This was an early morning trip to Cape Coral. I went back to the nest where I had seen the only known owlet in the city. I was hoping to get some warm early light on the birds. I was rewarded with not only decent light but this curious Burrowing Owlet stood and stared at me for a while before ducking back down into the burrow. One parent kept a watchful eye while the owlet explored.
Barred Owl - Corkscrew Swamp
The barred owl, also known as northern barred owl or hoot owl, at the Corkscrew Swamp Sanctuary in Florida this afternoon. The swamp has way too much water and as a result, the number of birds is minimum. This owl remained with its eyes closed for what seemed like an eternity. Finally, when the park staff came by to say we had to leave, I stopped by to get this image.
Hands-on with the new Panasonic Lumix S1R
I had the pleasure of spending a few days last week in Death Valley NP with the new Panasonic Lumix S1R and two lenses. The lenses I carried were the 24 to 105mm S Macro OIS f/4 and the 70-200mm S Pro OIS f/4. The S1R is the 47.3MP Full-Frame MOS Sensor body while the S1 is 24.2MP. The body I used was a pre-production version that had firmware version 0.7. A long way from version 1.0 that should be in the production release next month.
I am not going to spend time writing about specifications as those are available from the Panasonic and numerous other sites. What I am going to say will appear fan-boyish but this is how I feel. Having used full-frame film cameras, DSLR's and mirrorless cameras, this is probably the finest camera I have experienced. The camera is a beast and as someone commented on YouTube and I fully concur - the S1R is the current Holy Grail of full frame bodies.
Ergonomics are exceptional, the camera just feels right. Both lenses that I tried felt comfortable and well balanced. The redesigned menu system is intuitive and exceptionaly well grouped and sequenced. Despite being a pre-production sample the image capture was truly a charm.
I set the camera to capture RAW and JPG images in full resolution and set the color space to Adobe RGB. I shot a number of high-resolution images 187MP and standard resolution images. As there is no RAW converter capapble of processing the S1R's RAW files, all I have been reviewing are JPG's and am thoroughly impressed. The dynamic range is impressive, the colors are fabulous as is the amount of detail even in a JPG file.
I am awaiting a RAW converter from Capture One or Adobe so I can truly experience the full potential of these new bodies.
Thievery & A Dying Industry
It was so much fun joining Don Komarechka (The King of Snowflake Photography and a fellow Pnasonic Lumix Ambassador) on his weekly podcast episode. There is never enough time to discuss all that there is in our industry but here is the link for you to listen and enjoy.
The Lumix S Party on TWiP
What a great time was had by all at this first TWiP party. We discussed the Lumix S1 and S1R and I am so glad to have been a part of the launch party. So much fun with the awesome Frederic van Johnson, hosting Jordan Bunch, Don Komarechka, Matthew Sutherland and myself.
LUMIX S PRO 50mm F1.4, LUMIX S PRO 70-200mm F4 O.I.S. and LUMIX S 24-105mm F4 MACRO O.I.S. Details and prices released
The following is the official press release
Newark, NJ (February 1, 2019) - Panasonic is proud to introduce three new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Specially focusing on professional use, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses.
| LUMIX S PRO 50mm F1.4 (S-X50)A large-aperture fixed focal length lens that forms the core of the LUMIX S Series of lensesLUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)A telephoto zoom lens that features high resolution with stunning clarity across the entire zoom rangeLUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)A versatile standard zoom lens with macro shot capability covering wide-angle to medium telephoto |
The L-Mount is a lens mount for mirrorless cameras that was launched by Leica and is equally suitable for both the APS-C format and full-frame cameras. Leica Camera, Panasonic and Sigma are set to offer a user-friendly solution that will allow photographers to ‘mix and match’ any of the three manufacturers’ APS-C and full-frame cameras with any lens from each other’s product portfolios. The aim of the L-Mount Alliance is to provide customers with a diverse and future-proof range of products. The advantages are a large inner diameter of 51.6 mm that enables the realization of extremely fast lenses and extremely compact dimensions. The configuration of the lens-to-camera communication interface is future-proof and the L-Mount also offers an option for the construction of sealed systems that are insensitive to dust and moisture. The L-Mount thereby opens up an almost limitless spectrum of new creative possibilities.
All interchangeable lenses of the LUMIX S Series provide high performance yet the “LUMIX S PRO” lenses further boast ultimate optical performance to be certified by LEICA for clearing stringent LEICA standards. Panasonic is committed to designing and developing 10 or more lenses with a focus on “LUMIX S PRO” lenses by 2020 and further expanding the S Series lens lineup.
LUMIX S PRO 50mm F1.4 (S-X50)
The LUMIX S PRO 50mm F1.4 is a large-aperture fixed focal length LUMIX S PRO lens that is the core of all LUMIX S Series lenses. Ensuring versatile use with its 50mm focal length and F1.4 high speed, the LUMIX S PRO 50mm F1.4 boasts stunningly high resolution and a descriptive performance from the center to the corners of the image despite its large aperture. It provides smooth defocus gradation from the focus peak to the neighboring area of the image. It also describes the point light sources in the background as impressive, beautiful bokeh. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.
Comprising 13 lenses in 11 groups, the use of 2 aspherical lenses and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with those aspherical lenses, achieving high resolving performance.
A double focus system combining a linear motor and stepping motor achieves sensor drive at a maximum speed of 480 fps. It realizes fast, high-precision AF to ensure that you will never miss a photo opportunity. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 50mm F1.4 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.
The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant* design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with an 11-blade circular aperture diaphragm.
*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)
The second lens is also a LUMIX S PRO lens. The LUMIX S PRO 70-200mm F4 O.I.S. telephoto zoom lens provides high-resolution, high-contrast images across the entire zoom range. It can be used for wide-ranging situations, from portraits to sports. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with the LUMIX S PRO 70-200mm F4 O.I.S. for the first time as a lens of a full-frame mirrorless camera system, to ensure that you will never miss a photo opportunity. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.
The lens unit comprises 23 lenses in 17 groups and the use of an aspherical lens and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Designed in pursuit of optimum lens alignment, it achieves beautiful bokeh with minimum vignetting.
The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 70-200mm F4 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.
The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.
*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when LUMIX S1R is used.
*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)
The LUMIX S 24-105mm F4 MACRO O.I.S. is a versatile standard zoom lens covering wide-angle to medium-telephoto. It assures high descriptive performance across the entire zoom range. In addition to its versatile use with a wide and long zoom range, the LUMIX S 24-105mm F4 MACRO O.I.S. enables 0.5x macro shooting with a minimum focusing distance of 0.3m. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with LUMIX S 24-105mm F4 MACRO O.I.S. for the first time as a lens of full-frame mirrorless camera system, never to miss the photo opportunity.
The lens unit comprises 16 lenses in 13 groups and the use of 2 aspherical lenses and 2 ED (Extra-low Dispersion) lenses effectively suppresses chromatic aberration and achieves high resolution.
The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The LUMIX S 24-105mm F4 MACRO O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.
The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. In addition, a fluorine coating on the front element repel water and oil and prevent them from attaching. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.
*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when LUMIX S1R is used.
*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
•Leica is a registered trademark of Leica Microsystems IR GmbH.
•Design and specifications are subject to change without notice.
Panasonic Lumix S Series Full Frame Cameras - Specs and Pricing Announced
The following is the official press release
Newark, NJ (February 1, 2019) - After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.
The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p), intuitive control, a rugged design for heavy field use, durability, and expandability.
The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting.
The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.
Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.
Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.
As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers.
*1 PAL area only
*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.
*4 Service is not available in some countries.
- High picture quality made possible by the first LUMIX full-frame mirrorless camera
Unprecedented picture quality and high descriptive performance LUMIX S1R
The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
High image quality, high sensitivity performance LUMIX S1
The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.
An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.
Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.
Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.
The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers.
The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
*4 “HSP” is an HDR picture format using HLG format video technology.
*5 The guide number decreases when the shutter speed is set to 1/320 of a second.
*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
2. High-speed, high-precision AF system LUMIX S1R LUMIX S1
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices - lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects - humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera.
For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
*2 At ISO100, F1.4, AFS
*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.
The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.
To make the camera just like a part of the photographer's body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1
To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.
The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.
A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2), Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
5．Outstanding video recording performance in a full-frame camera
4K 60p video recording for more creative freedom LUMIX S1R
The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording.
Exceptional video recording performance for professional videographers LUMIX S1
The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019.
As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps).
For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable.
*1 PAL area only.
*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.
*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.
- When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).
6. Other Features LUMIX S1R LUMIX S1
･Photo Style Featuring a New Flat Mode
To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.
･Variable Aspect Ratios With New 65:24 and 2:1
In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting.
･I.S. Status Scope
The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.
･Flicker Decrease
When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.
*Not available in 6K PHOTO, 4K PHOTO and Post Focus.
･Highlight Weighted Light Metering Mode
The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.
･New AWBw Auto White Balance Mode
In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light.
･Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n)
Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.
*1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only.
*2 5 GHz Wi-Fi is not available in some countries.
･Lumix Tether
This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.
･Lumix Sync
Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.
•Leica is a registered trademark of Leica Microsystems IR GmbH.
•L-Mount is a trademark or registered trademark of Leica Camera AG.
•Android and Google Play are trademarks or registered trademarks of Google Inc.
• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
•XQD is a trademark of Sony Corporation.
•All other company and product names are trademarks of their respective corporations.
•Some accessories are not available in some countries.
•The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
•Design and specifications are subject to change without notice.
MINWR Field Workshop
January 25, 2019 - 7:00 AM field trip to Merrit Island National
This year the number of Glossy Ibis in the reserve is exceptional. I have never seen so many flocks of 20 Ibis or more.
On the other hand, the Roseate Spoonbills are not as abundant as in past years.
