Just finalized the 2016 Fall Photo Tours and Workshops in Yellowstone and The Grand Tetons National Parks and Cape Cod.Yellowstone and The Grand Tetons - October 1 through October 8, 2016 - 
A while back I had done a review of the exceptionally versatile and compact Platypod Pro® Deluxe Kit. Now the makers have introduced a follow-up to the Platypod Pro called the Max.Much planning, engineering and fine machining go in to making the Platypod Pro® Max. The Max’s initial form is stamped out of a 5mm thick sheet of aircraft grade aluminum maintaining absolute flatness. Using Computer Aided Manufacturing (CAM), the plate is computer machine precision drilled for all holes and slots. Edges are round-routed and holes either threaded or chamfered to avoid any sharp edges. Key holes slots for attaching the spike screw box are drilled only partway through the plate with very low tolerances to allow easy but firm attachment. These last holes are invisible from underneath the plate.
I have been informed by the manufacturer that the machining quality and workmanship on the Max is so meticulous that despite computer aided manufacturing the factory can only produce 1500 every 25 days!Like the original Platypod Pro the Platypod Pro Max is a sturdy flat mini tripod ideal for low-angle shots and situations where traditional tripods are cumbersome or impractical. It is however, significantly larger, has four spikes/reversible rubber feet rather than three, a belt loop, a single 3/8 inch 16 ball head mounting screw and a 1/4 inch 20 removable stud to mount accessories.
Here is an image captured with the Max set up on top of the stone wall at Tunnel View - Yosemite NP.
Unlike its smaller brother the Max supports ball heads of any size and is rated to support 300 pounds. A 3/8 inch 16 threaded screw hole allows you to mount the Max directly to your tripod as and when needed. Made of aircraft grade aluminum anodized black with beautiful self-explanatory laser etchings, the Max comes in a red microfiber drawstring pouch.
If you already own a Platypod Pro the Max does not replace it, rather it compliments it where situations demand a larger base or when you need to physically move your low lying camera rig across the sand or grass when photographing wildlife.Specifications:
As compared to the original Platypod Pro, Max’s larger footprint means more stability. Like the Pro, Max is made of aircraft-grade aluminum with an embedded 3/8-inch titanium bolt. However, it does come with a few features, including a pair of slots that can secure Max via a bungee cord, zip-ties or even your belt to freestanding objects and structures. In the center are 1/4- and 3/8-inch holes to attach Max to quick-release devices, such as the Peak Design Capture Clip, or directly onto a tripod center column. A very convenient 1/4 - 1/4-inch male cross-nut allows attachment of flexible arms, speed-lights and numerous accessories. Here I used a Novoflex Flex Arm and a Lume Cube LED to light the crystal. The camera is a Panasonic GH4 with a 30mm Lumix macro lens. A second 1/4 - 1/4 and a second Flex Arm would be ideal for cross lighting a macro subject.The Max‘s larger base allows use of most any ball head. The RRS B55 is the largest ball head I own and I had no problem attaching it to the Max and all the knobs have adequate clearance. As I no longer use large DSLR’s all my tests were done with Sony and Panasonic mirrorless bodies. Using the Max with an A7RII and the 70 – 200 mm f/4.0 lens was a breeze. I also mounted a Panasonic GH4 with the new Leica 100-400 using a Wimberly SideKick for quick reaction time and maneuverability. When using the Sidekick it is imperative that you remove the holder for the spikes with a simple twist and place the cross-nut in one of the corner positions, out-of-the-way. This gives the sidekick the clearance for 360 degree rotation. The Max supported this rig very well.
With the Platypod Pro you had to be careful mounting heavier gear. It was best to ensure the center of gravity was as close to the center of the Platypod Pro mounted ball-head. With the Max, this is a less of an issue. With a medium or large ball head the Max will comfortably support most DSLRs and mirrorless cameras fitted with normal to long telephoto lenses. A super telephoto lens properly mounted on a good ball head works well too. Here as in the image below I tested it using the RRS BH55 and the Wimberley Sidekick with a Canon 500 mm f/4.0 lens attached to a Sony A7R II using a Metabones IV adaptor.
Similar to the Platypod the Max is ideal great for ground level photography and videography, a mount for action cameras and for creating panoramas. When creating panoramas use a pan/tilt ball head like the Unique as shown below or attach a leveling base (see following image) below the ball head as shown in an image above where the RSS BH55 is mounted on top of the Acratech 1170 leveling base. As the Max is made of a relatively thin aluminum plate it would be difficult to have a built-in level. A third-party bubble level can be adhered to the max or simply place on it to level the Max. When it is necessary to level the Max it is best to use three of the four spikes or rubber ends. Four legs are great for stability but not so for leveling. The Max is best used without spikes or feet when you want to have the flexibility of sliding it in any direction on flat surfaces, sand or grass. When friction is important then the spikes are the best option. In the reverse orientation the rubber caps not only provide friction preventing the base from sliding around but also prevent damage to furniture, painted surfaces, etc.
For surfaces like asphalt, rocks and brick the spikes are your best choice for stability. To attach the base plate to a fence post, rail or tree limb, a pair of bungee cords, straps or your belt work great. All you need is to secure the cord around your object and hook the ends into the slots or holes in the base plate. Belts and straps can be passed through the slots on each side of the Max to secure it to any post, tree trunk or similar object.The Max with its little brother the Platypod Pro have a permanent home in my photography kit. I find I am using these support systems more than using my tripods.
Following up with the release of the exceptional Leica 100 - 400 mm nature and wildlife photographers' dream lens, Panasonic has announced a new Leica 12mm (24 mm equivalent on MFT bodies) f/1.4 weather sealed wide-angle prime lens. Suitable for great landscapes and with this f/1.4 speed it will be ideal for astro photography. This will be Panasonic's widest non-fish eye prime lens in the MFT lineup. Hope to have one in my kit for my Iceland workshop in September.It will be available later this summer for $1300 (rounded).Here is the press release:NEWARK, NJ (July 1, 2016) – Panasonic unveiled a new LEICA DG SUMMILUX 12mm/F1.4 ASPH. (35 mm camera equivalent: 24 mm) digital interchangeable lens for Digital Single Lens Mirrorless camera based on the Micro Four Thirds standard. The new 12mm wide-angle lens enables photographers to capture beautiful group, event, and nature photography. It also allows indoor shooting in low lighting and produces an impressive, natural defocusing effect with its F1.4 aperture. In addition, the LEICA DG SUMMILUX 12mm/F1.4 ASPH. boasts a rugged, splash/dust-proof design (when combined with splash and dustproof LUMIX G Mirrorless camera models) to meet the needs of a wide-range of photographic situations.Integrating two aspherical lenses, two UED (Ultra Extra-Low Dispersion) lenses and an ED (Extra-Low Dispersion) lens, the lens system is comprised of 15 elements in 12 groups. The adoption of five special lenses makes it possible to meet the stringent LEICA standard for exceptional image quality with high resolution and minimum distortion. In general, flare is commonly seen around the periphery of a point source with many high-speed lenses when a large aperture is employed. However, the new LEICA DG SUMMILUX 12mm/F1.4 ASPH. achieves high resolution from the center of the image to the corners by suppressing this flare. Users can take advantage of this lens to shoot a brilliant night skies or night scenes containing illumination to capture true-to-life images with minimal blurring and distortion at the edges. The multi-coated lens elements also minimize ghosting and flaring.Incorporating an inner focus drive system and a stepping motor, the new LEICA DG SUMMILUX 12mm/F1.4 ASPH. is capable of smooth, silent operation together with the camera’s high-speed, high-precision contrast AF system for both photo and video recording. It is also compatible with the sensor drive at a maximum of 240 fps to take full advantage of cameras with high-speed AF. This stunning AF performance is excellent for recording 4K videos, where precise focusing is essential.The LEICA DG SUMMILUX 12mm/F1.4 ASPH. comes with an aperture ring for direct, intuitive aperture control. Nine blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. A highly reliable metal mount assures durability for repeated use. The lens mount, the barrel and the hood are all made of metal to provide a sleek, sophisticated design that matches the entire line-up of LUMIX G Digital Single Lens Mirrorless (DSLM) cameras.Specifications:
The ZEISS Batis 2.8/18 expands the Batis range of lenses with a super wide-angle lens. For the Sony α system with E-mount the new lens, which features a diagonal angular field of 99 degrees, is currently the shortest full-frame fixed focal length with autofocus. The new ZEISS Batis 2.8/18 with innovative OLED display to show focus distance and depth of field is also impressive thanks to its high image quality across the entire image field. The lens will be available from May 2016.
Panasonic has announced a Firmware update 2.5 that introduces several enhancements introduced in Lumix G series cameras since the GH4 was originally introduced.Post FocusPost Focus is a special function that enables users to select an in-focus point after shooting. It has already been integrated in new LUMIX cameras such as the GX8. This feature allows you to change the perspective for greater photographic expression or to choose the best in-focus shot for macro shooting.4K PHOTO (4K Burst / 4K Burst (Start/Stop) / 4K Pre-burst)With 4K PHOTO mode there are three dedicated modes – 4K Burst / 4K Burst (Start/Stop) / 4K Pre-burst – are all now available on LUMIX GH4*. The addition of these modes further enhances the usability of 4K PHOTO to capture fleeting photo opportunities at 30p.External Flash BurstA new feature supporting consecutive shooting with flash burst is available with an external flash that is capable of continuous emission. This includes the following Panasonic models:
- Flash Burst Compatible Models
* Discontinued models are compatible but have some restrictions due to slower charge speeds
The firmware will be available at the end of March 2016 from the following link:DOWNLOAD HERE
If you’ve been listening to TWIP over the years you probably know how we feel about the relatively slow pace of innovation in the “mirrored” camera space… also known as the dSLR.
